• Books for Everyone
  • Work
  • newsletter
  • Journal
  • Shop
  • About
Menu

Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
  • Books for Everyone
  • Work
  • newsletter
  • Journal
  • Shop
  • About

Dear Somebody: Losing a penguin

September 20, 2024

N and Penguin — love goes on and on and on (pencil on paper, 2024)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

Over the weekend, we drove to a farm in Illinois to find our way through an 8-acre corn maze. We did, and then we piled back into the car and drove home to have lunch. After F’s nap, we walked to the library and chose new books, stopping at the playground to practice the monkey bars. We hurried home to make dinner and it was halfway through, while shoveling chicken and rice into her mouth, that N told us that she couldn’t find Penguin anywhere. 

Penguin, or Pen-Pen, is N’s lovey, who has slept in her arms each night since she was born. He eats meals with her regularly, both at our home and in public. He gets his own seat and sometimes, he gets his own meal. He’s taken baths with her, made wishes with her, traveled across state lines and open seas with her, and it is he that she calls for when most upset or unconsolable. N’s love for Pen is so great that it inspired F’s love for Tunafish, an absolutely identical penguin that N gifted her only so F would stop thieving Pen from her room. 

T goes to check the car and the garage, and when no Penguin is found, he gets on his bike and rides through the neighborhood. He retraces the path we took to the library and the playground, searches the alleyways, checks the slides. I email the library, already closed, and ask them to please look for Penguin. I call the farm, which is still open, and the manager tells me she’ll check the lost and found. If I leave my name and number, she’ll call me when he turns up. Her voice is sweet and understanding. All of us at the farm—we’re all mothers, she tells me. We know what this is like. We’ll find him.

For the first time in her almost-four years of life, N goes to bed without her penguin. I miss Pen, she says. What if we never find him? Breaking my own rule, I lie with her until she falls asleep. I wonder where Pen-Pen is. It’s a big world for such a small, sweet penguin. 

Afterwards, I search the house and play the tape back in my mind. I rewind it over and over, stopping at all the same moments, pressing play. Did F bring him to the farm thinking he was Tuna? Did I put him in my bag when we got there? Did he fall under the picnic table? Did he fall out when I opened the car door? I saw him in the car—didn’t I? Didn’t I? 

In the morning, N makes the shape of a penguin with her arms. Mom, last night when I didn’t have penguin, I closed my eyes and it felt like I was holding him. I am grateful for her brilliant imagination, for its ability to comfort her. I am disappointed that memory—as shoddy and unreliable as it is, with all its faulty limitations—is still the next best thing to the actual presence of something we love. 

T tells us he’s going to work and then drives back to the farm. He runs the entire 8-acre corn maze again, retracing our steps through the playground and the farm field stores. He searches the grassy field, now beginning to fill with the morning rush of cars and giggling children. Not here, he texts me. The heart breaks. 

I think of somebody—anybody, who wouldn’t know how much our family has cared for this little penguin—and how they’d find and toss him, casually, into the trash. The heart breaks.

Things become family because we care for them, because we choose to divest our finite energy away from one avenue and pour it into another. N loved Penguin into our family, caring for him as we care for her. She considered his feelings, as I do for her. I loved him because she did.

N finds the first drawing I did of her and Penguin. It’s the invitation from her first birthday party. She tucks it into a tote bag and says she’ll show everyone in the neighborhood his picture, so they can call us when they find him. So they can return him to his family. She retraces the steps T already retraced, carrying the invitation like a missing-child milk carton in her hands. When we don’t see him, she asks me again: Mom, what if we never find him?

I tell her I don’t know if we’ll find him or not, but that it’s up to us to keep looking, to keep believing that we will. Missing somebody is hard. It’s a difficult thing to feel, the love a too-big-something squashed inside our hearts, but what it tells us is good: that we care. 

More than the missing, it’s the not knowing that causes ache. Penguin’s absence is unexpected—after hundreds of near-losses, I took for granted that he’d always eventually turn up again. We’ve saved him from airplanes and cousin’s houses, bathtubs and alleyways. I didn’t think he’d ever actually disappear. 

I know that Penguin is a stuffed animal. I know there isn’t any substantial value to him other than the love that he symbolized for a child and her family. I know his story is every child’s story, or every child’s worst fear. I know N will be fine. But it’s a big world for such a small, sweet child—and the heart still breaks in ways I didn’t know it could.

TUESDAY

“Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'

'Does it hurt?' asked the Rabbit.

'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'

'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'

'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.” 

—from Margery Williams’ The Velveteen Rabbit

WEDNESDAY

It’s been an unexpectedly good week for mail: 

I received a beautiful copy of Mai and the Missing Melon by Sonoko Sakai, illustrated by my old friend Keiko Brodeur. This sweet story explores the relationship between a young girl and her grandmother, the Japanse folktale of The Stone Buddhas, and Japanese food, culture, and history. In the package, Keiko also included a generous selection of gorgeous new cards from her sweet stationery company, Small Adventure.

I received my copy of FAIL-A-BRATION by my friends Brad and Kristi Montague, which celebrates failure. I’m not sure a better (or more necessary) celebration can be had. 

Brad Montague

 also runs a really heartfelt and encouraging newsletter called The Enthusiast which I always look forward to reading. 

After gifting my professor a copy of Tolkien’s The Father Christmas Letters, I ordered one for myself and it arrived today. I am taken by this collection of letters, written and illustrated by Tolkien (as Father Christmas) to his children over the span of 23 years. The letters eventually inspired parts of The Lord of the Rings, which is really exciting. It reminds me to play—to remember that the art we create for fun can lead us to our most challenging and fulfilling projects. Reading through the letters, what strikes me most is how vast a person’s imagination can be—and how untapped most of ours are. 

THURSDAY

Color study of N and Penguin (2024)

A small color study of N and Penguin. I’m trying hard to capture the feeling of such a classic childhood relationship—a child and her stuffy—with colors and washes that withstand the test of time. 

I keep asking myself what makes a good picture, or a good sentence—it’s ability to speak to anyone, regardless of age or experience? I don’t know; I’ll keep asking.

FRIDAY

If I were to live my life
in catfish forms
in scaffolds of skin and whiskers
at the bottom of a pond
and you were to come by
   one evening
when the moon was shining
down into my dark home
and stand there at the edge
   of my affection
and think, “It’s beautiful
here by this pond. I wish
   somebody loved me,”
I’d love you and be your catfish
friend and drive such lonely
thoughts from your mind
and suddenly you would be
   at peace,
and ask yourself, “I wonder
if there are any catfish
in this pond? It seems like
a perfect place for them.”

—Your Catfish Friend by Richard Brautigan

xx,

M

In Life Tags Parenting, Parenthood, Motherhood, Family, Penguin, The Velveteen Rabbit, Margery Williams, Mai and the Missing Melon, Sonoko Sakai, Keiko Brodeur, The Stone Buddhas, Small Adventure, FAIL-A-BRATION, Brad Montague, Kristi Montague, The Enthusiast, Tolkien, The Father Christmas Letters, The Lord of the Rings, Your Catfish Friend, Richard Brautigan
Comment

Dear Somebody: Paying attention.

January 12, 2024

An illustration for Issue #60 of Uppercase Magazine

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

I bundle F up into a navy blue sweater onesie with a giant yellow smiley face on it, Mulan socks that are too big for her tiny rabbit feet, and a white snowsuit. She’s wailing, already, and we haven’t yet left the house. 

After a leisurely fall season, which is, hands-down, my favorite part about living in St. Louis, it’s finally cold. Uncomfortably so. I remind myself that the discomforts in life refresh us in all the ways a new year only promises to, and zip my coat up to the throat. 

It’s 8:30 in the morning and I haven’t had coffee, but as soon as the icy wind smacks me in the face, I feel invigorated, even giddy. To me, the most beautiful part about nature is that she doesn’t coddle. She can’t wait for us to keep up; she has far greater things to do. She thrashes and stomps and lingers. She doesn’t stop to think or wait for a better time. She heals herself the best she can. She considers the larger picture. She goes on.

F’s protests have quieted, subdued by all there is to digest. She looks at the bare arms of maples, dogwoods, and elms; she stretching her own. Branches scrape against buildings and the sky. The wind whistles as it passes through our clothes and hair, searching. Birds rummage against the wind, finding their way towards food or home. We listen to them sing while they work or play. Song is something that has a place almost anywhere. I want more of it. 

When I turn the corner towards our little free library, I feel a bolt of panic. Sharp and quiet. Since the first of January, I’ve noticed it more and more: the way the years are running away from me. The way they look back at me and laugh, remembering that I once worried that things would never change. 

N rides a bicycle and takes showers. She strips off her coat and sweaters to be closer to Sister Winter. She’s learning how to manage her own temper; I’m learning, too. She’s not in any rush; she takes a long time. She is quiet, observant—but now and then, she steps outside of herself to dance and laugh maniacally. In these moments, she is so uninhibited that my heart splinters. 

In the fall, she’ll start at a new school, maybe, and F will, too. They will reach for each other; I will have more time for myself. I know that this is what I’ve looked forward to, but it doesn’t feel satisfying. Raising children is such a mournful affair—a rush of head and heart, a constant coming up for air. Other than affection, what I’ve felt most over the past few years is internal conflict and a desire for solitude. Now, for the first time since becoming a mother, I feel a little lonely. 

The robins sing. F waves at them, then becomes distracted by her own hand. I see the miracle of song and wave. I see the miracle of ten tiny fingers on two tiny hands. I see the old years and the new years chasing each other, faster now, and then a blur.

I see the entire world standing before me. She says the same thing she always says, the same thing I know she’ll always say: I hope you’re paying attention.

TUESDAY

View fullsize 1dd877d7-e3a8-4a9a-8670-8c8afc3a7ea3_2722x3552.jpg
View fullsize fba0c529-6b74-49be-b82c-7bfa5855ab84_2815x3754.jpg

“This practice of rewriting my personal color story is useful in a few ways. I am more intimately privy to the inner workings of my own mind, able to discern why an individual shade, or an entire spectrum of a single hue—affects me in the way it does. I am able to pair and detach certain colors with specific memories, and therefore, emotions. I also find myself largely immune to the effects of commercial color marketing. Rather than feeling agitated by the color red, for example, which is routinely found in conjunction with extreme feelings of stress and urgency (stop signs, red lights, sirens, and all combinations of warnings), I feel interested, almost eager. All three of these emotional states—agitation, interest, and eagerness—are based in excitement, but only agitation (which is the combination of excitement and anxiety), has a negative effect on my body and mind.”

—An excerpt from “Emotional Color,” my latest Being column for Issue #60 of Uppercase Magazine

WEDNESDAY

I had the joy of speaking to Andrea Scher on the School of Wonder podcast, where we discussed confidence, creativity, and courage. This episode is available for streaming here. 

THURSDAY

I am: re-reading A Separate Peace, enjoying this artwork—especially as N learns her letters, watching Reservation Dogs, and thinking about love. 

I can’t stop thinking about this cover artwork, created by Tolkien to accompany a series of letters he wrote for his children. 

F and I listen to Joni Mitchell during breakfast. 

FRIDAY

The world is not simple.
Anyone will tell you.
But have you ever washed a person’s hair
over a tin bucket,
gently twisting the rope of it
to wring the water out?
At the end of everything,
dancers just use air as their material.
A voice keeps singing even
without an instrument.
You make your fingers into a comb.

—Tin Bucket by Jenny George

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Life Tags Uppercase Magazine, Writing, Parenting, Parenthood, Motherhood, Andrea Scher, Podcast, School of Wonder, A Separate Peace, Reservation Dogs, Love, Tolkien, Joni Mitchell, Tin Bucket, Jenny George, Poetry
Comment

Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

Join thousands of other readers by subscribing.


Latest Posts

Featured
Nov 11, 2024
Dear Somebody: In the name of sisterhood.
Nov 11, 2024
Nov 11, 2024
Sep 27, 2024
Dear Somebody: There is every reason to believe.
Sep 27, 2024
Sep 27, 2024
Sep 20, 2024
Dear Somebody: Losing a penguin
Sep 20, 2024
Sep 20, 2024
Sep 6, 2024
Dear Somebody: I am not a machine.
Sep 6, 2024
Sep 6, 2024
Aug 30, 2024
Dear Somebody: A neverending field.
Aug 30, 2024
Aug 30, 2024

categories

  • Books 4
  • Life 45
  • Motherhood 7
  • Picture Book 1
  • Process 13
  • Sketchbook 1
  • Writing 2
Full archive
  • November 2024 1
  • September 2024 3
  • August 2024 2
  • July 2024 2
  • June 2024 2
  • May 2024 3
  • April 2024 2
  • March 2024 4
  • February 2024 4
  • January 2024 3
  • December 2023 2
  • November 2023 2
  • October 2023 4
  • September 2023 5
  • July 2023 2
  • June 2023 2
  • May 2023 3
  • April 2023 2
  • March 2023 4
  • February 2023 3
  • January 2023 4
  • December 2022 2
  • November 2022 1
  • August 2022 1
  • July 2022 2
  • May 2022 2
  • April 2022 2
  • March 2022 1
  • January 2021 1

READ MY BOOKS


Copyright © 2023 Meera Lee Patel