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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: How to stop feeling guilty about not being productive

May 26, 2023

A paint palette and accompanying essay from How it Feels to Find Yourself

A year from now, here are five things from this week that I'd like to remember:

MONDAY

When you know yourself well, it’s easier to locate the significance in every small moment. Your capacity to retain peace during difficult transitions increases. You understand that most situations have more than one correct answer. You feel freer.

The most important relationship we can spend our lives nurturing is the relationship we have with ourselves. The lens through which we view ourselves determines our connection to the world. If that lens is cracked or cloudy, each of our relationships begins to suffer. Building a strong internal compass that skillfully guides you through life’s uncertainties is possible only by developing an intimate, healthy relationship with yourself. Through this process of continued self-exploration, I began to learn who I am, what my purpose is, and how to intentionally shape my life into one I recognize with joy. Living well means adapting to life’s constant transition; evolving with purpose and clarity is a skill I now practice regularly. This is how I found myself—for the first time, and then again, every time after that.  

—An excerpt from the introduction of How it Feels to Find Yourself

TUESDAY

It’s 4:00 in the morning and How it Feels to Find Yourself will be published today. I feel sloppy and underprepared, like I’m about to take a test I haven’t studied for. In all the chaos of the last few months, I’ve barely been able to put much time into promoting this book. As fellow authors know, especially those who write for adults—your work isn’t over when you finish writing the book. The publicity and marketing aspect of publishing is overwhelming for those of us who prefer staying out of the limelight. I personally prefer being behind a desk than a camera; book promotion demands I summon the extrovert inside me, however well she may have hidden. 

Anyway. It’s 4:00 and we’re up to feed the baby, it being 2.5 hours since she’s last eaten. I stumble around in a haze, changing her diaper and tending to her spit-up, shoving a pacifier in her small. sweet mouth as her little lungs get ready to scream. I hand her to T who looks like a zombie but sits in the recliner to give her a bottle anyway. I gotta write my newsletter, I mumble sleepily, and he nods. 

Back in bed, it’s 4:30 am. I open my laptop and begin to write, promising myself that this is the last crazy thing I’ll do in a long while. I’m going to sleep instead of writing newsletters at 4:30 in the morning, I tell myself. I’m going to exercise instead of giving birth a few weeks prior to completing graduate school, I tell myself. I’m going to delight in healthier cooking and eating instead of working myself to the bone. 

I finish writing and close the laptop. I check on T and the baby, both of whom are asleep again, the steady rise and fall of their chests following each breath. I pull the covers up to my nose and exhale deeply. This is the last crazy thing I do, I repeat to myself. 

This is the summer of long walks and less running around. This is the summer of cookouts and lazy pool days and no homework. This is the summer of breathing in baby and being crazy with toddler. This is the summer of new recipes and friendships and sleep and smiles. This is the summer I see more and do less. This is the summer I read more and write less. This is the summer for rest and replenishing. This is the summer of silence. 

I will not feel guilty for not being productive. And maybe, months from now, when I feel good and ready—I will begin again. 

WEDNESDAY

Most of us who hit 40 have had enough experiences—winning and losing—to know that it is all actually “winning” and “losing.” The best job in the world can also cause you profound stress. Getting the promotion, raise, book deal that you always wanted, might feel like a hard-won achievement in certain ways, and in others, it is likely to be anti-climatic and send you spinning off into a moment of existential confusion. If you’ve experienced the texture of work long enough, you start to sober up about what really matters to you, what you are really made for, and what you want to spend your precious energy and time on. You understand that the deepest sense of self-realization doesn’t come through paychecks or titles, but through genuine, intrinsic pride that you have done something you are delighted by with people who delight you. Midlife is a moment to seek a more finely calibrated understanding of all of this and start advocating for yourself within work settings (whether that means joining a labor union or saying no more to freelance work or not tolerating assholes). Of course the most insecure your financial situation, and the less lucrative your life’s work, the more constraints you face on living into these truths. Which is why economic disparity is about so much more than “food on the table,” but people’s ability to give the world their best gifts and live their fullest, most realized lives.

—An excerpt from Grow Bigger Not Bitter by Courtney Martin 


THURSDAY

A simple photograph to celebrate this week, this book, and a vow to be less measurably productive:

FRIDAY

My shadow said to me:
what is the matter
Isn’t the moon warm
enough for you
why do you need
the blanket of another body
Whose kiss is moss
Around the picnic tables
The bright pink hands held sandwiches
crumbled by distance. Flies crawl
over the sweet instant
You know what is in these blankets
The trees outside are bending with
children shooting guns. Leave
them alone. They are playing
games of their own.
I give water, I give clean crusts
Aren’t there enough words
flowing in your veins
to keep you going. 

—The Shadow Voice by Margaret Atwood


xx,

M


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In Writing Tags How it Feels to Find Yourself, Paint Palettes, Books, Writing, Essays, Excerpt, Publication Day, Pub Day, Productivity, Courtney Martin, Grow Bigger Not Bitter, The Shadow Voice, Margaret Atwood, Poetry
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Dear Somebody: A Simple Hello.

July 22, 2022

A page from my sketchbook: Lisle Sur Tarn, France – reimagined with N

A quick note: Tonight I'm leading a Time Capsule workshop with the Summer Writers Institute at Washington University, where I'll teach you to make an 8-page zine that captures this moment in time––using a single sheet of paper. Join me if you wish! This virtual workshop will be casual and reflective.

A year from now, here are five things from this week that I'd like to remember:

MONDAY

I've been home for nearly a month now and things between me and N have improved, although she does still ask for dada while I put her to bed, help her get dressed, or do almost anything. I smile and nod along while it's happening, saving my grimacing for later––for when I am alone or on the phone, or with T, who speaks to me sympathetically, albeit with the security of someone who is loved.

It's nearly 5:15 in the evening and N and I are coloring together, bright green silky scribbles on the paper that reach for the wooden floor. She makes marks the same way a dancer leaps across the stage––deliberately, with strength, using her entire body. I excuse myself to start dinner and she follows me into the kitchen, urgently shouting to be picked up. She wants to play with the upper cabinets, where we keep the cocoa and coffee, bags of sugar and corn starch, tins of assorted mushroom teas that I impulsively bought and will, really and truly, never drink.

“I have to cook, Naddo, so I can't watch you while you play on the counter,” I say. “It's not safe to stand up there alone.” She stares at me blankly and then resumes shouting, choosing not to understand the plight of a person who can't be in two places at once.

I want to be loved, so I pick her up and put her on the counter. She opens the cabinets and grins at the assortment of powders and potions inside. She laughs maniacally––with satisfaction, I imagine, at both the scene stretched in front of her and the agility with which she controls her mother. I turn away from her, leaning against the counter so she can't fall, but she shouts “Mama!" so loudly I spin back around.

N kneels down on the counter and takes my face between both of her hands. Her eyes are open wide, studying me intensely, and I unexpectedly feel…seen. Like I am a person in the world. Like I am someone special. Like in this very moment, all N wants is for me to be here with her. She leans towards me until our noses are touching and takes a deep breath.

“Hi," she says, exhaling the word deeply. Hi. A one-syllable meditation. The most beautiful word I've ever heard.

TUESDAY

“Writing, like all art, can be a site of safety, freedom, imagination. It can hold futures and dreams, our best memories, our worst. But because we deal in language, it seems inevitable that each writer, at one time or another, must confront other uses of writing, its place in a larger structure of power, and that structure’s hold on our social hierarchies. How we take in these moments, how we react to our knowledge of them—that is what makes the difference in the kind of writing we can hope to do.

The nice thing about going your own way is that you’re already “wrong”—but in your wrongness, in being off the map, you can stay free for a little while longer. To become that writer requires a radical act of imagination. More than one. And then the courage to choose yet another path. To keep moving, and know that there is truth and strength in that.” –Yanyi, on Justifying Your Writing

WEDNESDAY

"In the early 1940’s, abstract expressionists Jackson Pollock and Mark Rothko began pushing artmaking into uncharted territory: they sought to create works that resembled their internal sources of being—their spirit or consciousness. The abstract artists of this time rejected traditional images and visual realities in favor of walking freely into their own untethered imaginations. They were explorers of their own consciousness, interested in understanding (and reflecting) the vulnerable and often unseen sides of themselves.

I often wonder why I am so interested in my own feelings. I occupy a large amount of my time with emotional sorting: sitting with, identifying, and then categorizing the various heaps of daily emotion that pile themselves upon me. It’s only later, when I finally sit down to work, that I recognize the environment that begins to build from layers of paint on paper. It is my own emotional residue, transferring itself from my hand onto the painted page. Any powerful piece of art creates an atmosphere—a feeling of sublime that transports the reader or viewer out of their own world and into another." –An excerpt from my latest column, Being, for Issue #53 of Uppercase Magazine

THURSDAY

My new 2022-2023 weekly planner with Amber Lotus Publishing is now available! You can get a copy in my BuyOlympia shop, through the Amber Lotus Publishing website, and in bookstores everywhere.

FRIDAY

When you come, bring your brown-

ness so we can be sure to please

the funders. Will you check this

box; we’re applying for a grant.

Do you have any poems that speak

to troubled teens? Bilingual is best.

Would you like to come to dinner

with the patrons and sip Patrón?

Will you tell us the stories that make

us uncomfortable, but not complicit?

Don’t read the one where you

are just like us. Born to a green house,

garden, don’t tell us how you picked

tomatoes and ate them in the dirt

watching vultures pick apart another

bird’s bones in the road. Tell us the one

about your father stealing hubcaps

after a colleague said that’s what his

kind did. Tell us how he came

to the meeting wearing a poncho

and tried to sell the man his hubcaps

back. Don’t mention your father

was a teacher, spoke English, loved

making beer, loved baseball, tell us

again about the poncho, the hubcaps,

how he stole them, how he did the thing

he was trying to prove he didn’t do.

–The Contract Says: We'd Like the Conversation to be Bilingual by Ada Limón

(our 24th Poet Laureate of the United States!)

xo,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Writing Tags Workshop, Teaching, Zine, Washington University, Summer Writers Institute, Motherhood, Yanyi, Writing, Justifying Your Writing, Jackson Pollock, Mark Rothko, Uppercase Magazine, Amber Lotus Publishing, Weekly Planner, BuyOlympia, Ada Limón, Poetry
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

Join thousands of other readers by subscribing.


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