• Learn to Let Go
  • Books for Everyone
  • Work
  • newsletter
  • Journal
  • Shop
  • About
Menu

Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
  • Learn to Let Go
  • Books for Everyone
  • Work
  • newsletter
  • Journal
  • Shop
  • About

Dear Somebody: Speckles and streamers.

October 3, 2025

A beautiful Midwestern ripped sky, in September (2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

When I pick N up from school lately, the conversation is minimal. She’s tired; I’m tired; we drive along in silence, each of us held quiet by our own thoughts. Every so often, I check on her in the rearview mirror. She catches me looking and gives me a small smile. Sometimes the smile is genuine, pleased at being noticed. Other times, I get the feeling that the smile is for me—obligatory, a response to my unasked questions. It reminds me that, day by day, she’s growing up: growing accustomed to social rules and performances, growing aware of another person’s gaze on her, growing an invisible shield between her mind and mine. Slipping through my fingers.

Today is different. From the moment I buckle her into the carseat, N’s mind and eyes are locked into one thing only: the clouds. Mom, she says. Did you notice the clouds today? I squint around the sunlight striking my windshield and look at the sky. The clouds are in tatters, sprinkling the blue sky in bits and patches, like an animal tearing its way through a fresh carpet. Others streak across the wide sky in ribbons, long lines that travel as far as we can see.

Streamer clouds (2025)

Speckle clouds (2025)

What kind of clouds are those? N asks me, curious. Prompted to remember what little I know about clouds, I recall three of the four main classifications and I consider them aloud. They don’t look like cumulus clouds, I reason. Those are…popcorn-like? I remember that cirrus clouds are wispy, which none of these are, and stratus? No idea there. 

While I’m busy talking to myself, N classifies the clouds herself. The long ones are streamers, she says, like the kind you bring to a party. And the rest are ripped out of the sky, like speckles. Speckles and streamers.

There’s little else that excites me more than hearing N describe the world. Her use of language is extremely visual; it isn’t difficult for me to imagine what she sees. Her choice of words feels intimate, considered. Though her vocabulary is smaller than mine, she chooses words carefully, with affection. 

For the next thirty minutes, we drive on in excitement. N points out each unusual cloud she sees and takes photos of them with my phone. There’s a few cloud-shaped ones,she says, spotting a cumulus. There’s a spaceship one. And that one is a sea streamer, because it waves up at the end. Like a whale.

As we grow closer to the intersection where I make a left for F’s school, she laments: the cloud she loves most will disappear from her view. Mom, make sure you look at this cloud before you turn, she says, her cheeks pressed to the window. Isn’t the sky really just so beautiful today? I turn around and look at her, my sweet stormy cloud. Often full of rain and a bolt or two. In a few weeks, she’ll be five. 

Yeah, I say, staring at her staring out the window. The most beautiful thing I can see.

TUESDAY

On the value of shame, which I hadn’t considered before: 

“Very few of us are moral saints—certainly not me. Unlike everlasting, lofty, abstract principles, we who try feebly to live up to them down in the muck of reality face mucky obstacles: we get tired, impatient, envious, and angry. Our values and principles ask more than most of us are able to give—if they don’t, they are probably too weak to be worth holding. But we don’t have to celebrate our failures or, worse still, confuse them with our successes. This is one valuable function of shame: it reminds us of who we want to be when we fall short, a goalpost that is necessarily anchored to the lofty height that our conduct fell beneath. We also encourage and defend these general social standards when we hold others to them, and not just ourselves.”

—from How Can We Live Together? by Olúfẹ́mi O. Táíwò

WEDNESDAY

My first Diwali card with Biely & Shoaf! (2025)

I’m very excited to share my first Diwali card with you, made in collaboration with Biely & Shoaf! When I began my career a decade ago, no publisher would consider creating a Diwali card with me—really—and so, many years later, this feels like a small win. A win: for me, for the culture, for the field of illustration, for all of us. 

You can purchase this card on the Biely & Shoaf website. 

THURSDAY

To celebrate the upcoming publication of my journal, Learn to Let Go, I invited a few people I admire to share what they’re letting go of, and what they’re learning in the process. 

Today, I’m featuring art, illustrator, and writer Carolyn Yoo. She writes the newsletter SEE YOU, which focuses on the intersection of creativity and self-discovery. I particularly enjoy the way Carolyn views creativity: holistically, as an integral component of good health. Her writing often provides me with something useful to consider or implement into my own creative routine. 

A Portrait of Carolyn Yoo (2025)

What are you letting go of?

CY: A clear artistic identity.

What is this process teaching you?

CY: I’m allowing myself to inhabit the mystery of my interior mind, paying attention to what I’m drawn to and letting all of it percolate into my work with self-trust, without worrying if I make sense to others.

Many thanks to Carolyn for offering a glimpse into her current practice of letting go—a practice that many of us creatives may find useful. You can see Carolyn’s work hereand sign up for her newsletter here. 

In case you missed it, I spoke about acceptance, letting go, and making books with Radim Malinic on the Daring Creativity podcast. 

We’re only two weeks away from the publication of Learn to Let Go, and I’m happy to share that for a limited time, Bookshop.org is offering a 15% on all orders with the code LTLG15. A good time to grab a copy or two or five!

Thank you, always, for supporting my work. 

FRIDAY

it rained in my sleep
and in the morning the fields were wet
I dreamed of artillery
of the thunder of horses
in the morning the fields were strewn
with twigs and leaves
as if after a battle
or a sudden journey
I went to sleep in the summer
I dreamed of rain
in the morning the fields were wet
and it was autumn

—September by Linda Pastan


Two years ago, these were the five things I most wanted to remember:

Dear Somebody: Inyeon. (October 6, 2023)


See you next week!

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Process, Books Tags clouds, Parenting, Parenthood, Olúfẹ́mi O. Táíwò, Diwali, Biely & Shoaf, Greeting Cards, Learn to Let Go, Carolyn Yoo
Comment

Dear Somebody: Nothing, nothing.

February 14, 2025

Finding Your True North for Issue #64 of Uppercase Magazine (2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

It’s been awhile since I wrote. There was some travel, some sickness, some coming back to life. I’m still figuring things out; I’m still dedicated to the daily task of figuring things out. What else can I do? Nothing, nothing. 

Failing friendships, abandoned resolutions, the agonizingly slow crawl towards progress: these were all things that clawed at me a few months ago, seeping into my brain in-between my dreams and demanding more of my time, more of my efforts. Now, I let them fall away with ease. What can I do? Nothing, nothing, so I pour the skeletons out my window and raise the blinds to the morning ahead. 

Each day feels less like it’s getting away from me, and I feel less like I’m trying to get away from myself. Somehow, the smog has lifted. My brain is less dreams-and-pollution, more dreams-and-strangeness. I am reminded of time’s simple magic: its ability to transform a dilemma so magnificent into a pebble, into a not-problem so small, so ordinary, that I forget to think of it.

I slip on my shoes, small cloud-like things, and head out the door. I listen for the cardinals and the mourning dove; I follow the clouds through the sky. I like my little walks—to the corner coffee shop, the neighborhood library, the community garden. To nowhere at all. 

I walk to the library, but it’s closed. I walk to the coffee shop, but it’s closed, too. My timing is amiss or the world wants me to stay still—what can I do? Nothing, nothing. I turn around. A mile away, my sweet little family breathes childhood into our sweet little house. Quite happily, I take the shortest way home. 

TUESDAY

Meera Lee Patel x Biely & Shoaf: SO MUSHROOM IN MY HEART FOR YOU

Meera Lee Patel x Biely & Shoaf: MY HEART IS WITH YOU

Meera Lee Patel x Biely & Shoaf: HAPPILY EVER AFTER

I have a new collection of cards out with Biely & Shoaf, and I’m especially charmed by how the gold foil on these turned out! All of my new cards are available on the Biely & Shoaf website and at stores throughout the country. 

WEDNESDAY

Sisters celebrating a birthday (2025)

I flew to my sister’s for a quick few days to celebrate her birthday. It was a sweet treat to sit around a table with a very large martini and so many wonderful friends who love her as much as I do. 

THURSDAY

There are many versions of Conference of the Birds, a 5000-line Persian poem written by Sufi poet Farid-ud-din Attar; I treasure the edition I have, illustrated by the skilled Peter Sis. 

Serendipitously, I stumbled upon this article by The Heritage Lab which summarizes portions of the poem and distills some of the symbolism within it—but what I love most are the many included paintings, many dating back to the mid 16th-century, all inspired by this classic poem . 

FRIDAY

My husband and I held the films up against the sliding glass door in
Oregon the summer it seemed my sadness might never go away, trying
to make sense of whatever illness swirled there in black and white and
gray, so terrible the river winding through me seemed more real than I
was, somewhere beneath the Douglas fir's shawl of liquid silver, the
grape leaves unfurling their fuzz of green.

Here were thought and memory, feeling and dream. I stared into those
transparent sheets of myself my husband traced with one finger as I'd
seen him trace our route across a ten thousand foot mountain, follow-
int the convoluted folds and cross sections as patiently as he followed
the slow lines of elevation.

And I thought, This is what matters--the transparent mind that lets the
world through like a window, one we can open any time, whenever we
want, the wind in our hair, mysterious, fern-delicate, human. Or is it his
standing beside me that I remember, ready to remind me that what felt
crazy was only a matter of degree, my footing on that mountain easily
recovered by reaching my hand out to his as he balanced, just a few steps
ahead, impossibly steady before me?

—Looking at MRI Scans of My Brain by Alison Townsend

See you next week!

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Life Tags Uppercase Magazine, Travel, Life, Biely & Shoaf, Greeting Cards, Sisters, Sisterhood, Family, Farid-ud-din Attar, The Heritage Lab, Alison Townsend
Comment

Dear Somebody: It might have been otherwise.

January 27, 2023

A paint palette from my forthcoming book, How it Feels to Find Yourself

A year from now, here are five things from this week that I'd like to remember:

MONDAY

For the past week and half, N has been fighting bath time. She kicks and screams, wriggling on the floor. We present her with choices, we discuss the joys and benefits of regular bathing, and lastly, we plead for her to just get in. When none of the above works, we put her in ourselves, soaping and rinsing her body against the wail of her. Tears run down her cheeks and onto her neck, tiny rivers helping us rinse the day away from her. We brush her teeth solemnly, tired from all the hours that came before and exasperated by day 6 of bath strike. Why can’t it be otherwise?

N sits in her rocker with T, wrapped up in her new blue shark towel. Her biggest source of comfort is him, which I am grateful for—and, having worked hard at overcoming it over the past two years, only slightly envious of. In another life, I would be my child’s chosen source of comfort. It could’ve been otherwise. 

I sit on the floor at their feet and work her pajamas over her body—first, beginning at the feet and pulling them over her legs, her belly, her arms. Already she is slimming, moving further away from rounded baby into toddler. Who knows what comes next? Whatever it is, I know I’m not ready.

N moves onto the floor in front of me and we read a book together while T combs her hair. “Dada, I’m going to give you a kiss on your cheek!” she says triumphantly, looking at him. Her eyes are stars, bright and sharp. T gives her his face, obliging willingly, and she kisses him once on each side. My face splits into a grin. Who am I to begrudge such an act of love? It shouldn’t be otherwise.

Afterwards, she turns to me. “Mama, I give you a kiss on your cheeks!” she says, watching my eyes turn wide. I lean towards her in shock while she presses her face against mine first on the left side, then the right. We’re not in France, but I’m certainly living outside of my own life. 

It’s the first time she’s ever kissed me. I know I must write it down. It could’ve been otherwise. 

TUESDAY

“I’ve realized how much pressure I’ve put on myself to be, and stay, well — as if being well is inherently better on the hierarchy of humanity. The pressure came even bigger when I became a therapist, and then when I became someone with a public presence — the pressure to be an image of healing and growth, a walking testament to what’s possible when we choose to show up for ourselves, a reminder for others that healing works — and that it working means we get “better” for the rest of time.

The problem with this isn’t the possibility of wellness, or the fact that we all deserve to be deeply well, or the truth that we can grow and become more whole. The problem isn’t the desire to be well or the reality that life tends to feel a lot better in seasons where we are well. The problem, for me, is how this striving often sets us up to hide when we’re not in a season of feeling our best, and to feel bad about ourselves anytime life feels hard. Which then creates a deep urgency to get better, quickly. And life is going to continue feeling hard — more so in some seasons than others — forever.”

—The pressure to be well from Lisa Olivera’s Human Stuff

WEDNESDAY

I have a few new cards out with Biely & Shoaf, and I’m especially proud of this one, which welcomes new faces into the world with my favorite little elephant. 

My entire line of cards and boxed notecards are available on the Biely & Shoaf website. 

THURSDAY

“Secrets are everywhere. Some humans are crammed full of them. How do they not explode? It seems to be a hallmark of the human species: abysmal communication skills. Not that any other species are much better, mind you, but even a herring can tell which way the school it belongs to is turning and follow accordingly. Why can humans not use their millions of words to simply tell one another what they desire?”

—From Shelby Van Pelt’s Remarkably Bright Creatures, which I’m currently halfway through, and is about humans, octopuses, and the unspoken nature of both. 

P. S. I recently finished John Boyne’s The Heart’s Invisible Furies, gifted to me by a friend, and it’s one I looked forward to reading each night and am still thinking about weeks later.

FRIDAY

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.
At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

—Otherwise by Jane Kenyon

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Process Tags Motherhood, Human Stuff, Lisa Olivera, Biely & Shoaf, Greeting Cards, Boxed Notecards, Shelby Van Pelt, Remarkably Bright Creatures, John Boyne, The Heart’s Invisible Furies, Jane Kenyon, Books, How it Feels to Find Yourself
Comment

Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

Join thousands of other readers by subscribing.


Latest Posts

Featured
Apr 10, 2026
Dear Somebody: The hard work of it makes me shine.
Apr 10, 2026
Apr 10, 2026
Apr 3, 2026
Dear Somebody: A thousand years.
Apr 3, 2026
Apr 3, 2026
Mar 6, 2026
Dear Somebody: On giving up.
Mar 6, 2026
Mar 6, 2026
Feb 20, 2026
Dear Somebody: A monster inside the wall.
Feb 20, 2026
Feb 20, 2026
Jan 30, 2026
Dear Somebody: More Than Machine.
Jan 30, 2026
Jan 30, 2026

categories

  • Books 12
  • Life 62
  • Motherhood 11
  • Picture Book 1
  • Process 31
  • Sketchbook 12
  • Writing 4
Full archive
  • April 2026 2
  • March 2026 1
  • February 2026 1
  • January 2026 3
  • December 2025 1
  • November 2025 1
  • October 2025 4
  • September 2025 3
  • August 2025 1
  • July 2025 1
  • June 2025 3
  • May 2025 3
  • April 2025 4
  • March 2025 1
  • February 2025 2
  • January 2025 3
  • December 2024 2
  • November 2024 2
  • October 2024 2
  • September 2024 3
  • August 2024 2
  • July 2024 2
  • June 2024 2
  • May 2024 3
  • April 2024 2
  • March 2024 4
  • February 2024 4
  • January 2024 3
  • December 2023 2
  • November 2023 2
  • October 2023 4
  • September 2023 5
  • July 2023 2
  • June 2023 2
  • May 2023 3
  • April 2023 2
  • March 2023 4
  • February 2023 3
  • January 2023 4
  • December 2022 2
  • November 2022 1
  • August 2022 1
  • July 2022 2
  • May 2022 2
  • April 2022 2
  • March 2022 1
  • January 2021 1

READ MY BOOKS


Copyright © 2023 Meera Lee Patel