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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: Speckles and streamers.

October 3, 2025

A beautiful Midwestern ripped sky, in September (2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

When I pick N up from school lately, the conversation is minimal. She’s tired; I’m tired; we drive along in silence, each of us held quiet by our own thoughts. Every so often, I check on her in the rearview mirror. She catches me looking and gives me a small smile. Sometimes the smile is genuine, pleased at being noticed. Other times, I get the feeling that the smile is for me—obligatory, a response to my unasked questions. It reminds me that, day by day, she’s growing up: growing accustomed to social rules and performances, growing aware of another person’s gaze on her, growing an invisible shield between her mind and mine. Slipping through my fingers.

Today is different. From the moment I buckle her into the carseat, N’s mind and eyes are locked into one thing only: the clouds. Mom, she says. Did you notice the clouds today? I squint around the sunlight striking my windshield and look at the sky. The clouds are in tatters, sprinkling the blue sky in bits and patches, like an animal tearing its way through a fresh carpet. Others streak across the wide sky in ribbons, long lines that travel as far as we can see.

Streamer clouds (2025)

Speckle clouds (2025)

What kind of clouds are those? N asks me, curious. Prompted to remember what little I know about clouds, I recall three of the four main classifications and I consider them aloud. They don’t look like cumulus clouds, I reason. Those are…popcorn-like? I remember that cirrus clouds are wispy, which none of these are, and stratus? No idea there. 

While I’m busy talking to myself, N classifies the clouds herself. The long ones are streamers, she says, like the kind you bring to a party. And the rest are ripped out of the sky, like speckles. Speckles and streamers.

There’s little else that excites me more than hearing N describe the world. Her use of language is extremely visual; it isn’t difficult for me to imagine what she sees. Her choice of words feels intimate, considered. Though her vocabulary is smaller than mine, she chooses words carefully, with affection. 

For the next thirty minutes, we drive on in excitement. N points out each unusual cloud she sees and takes photos of them with my phone. There’s a few cloud-shaped ones,she says, spotting a cumulus. There’s a spaceship one. And that one is a sea streamer, because it waves up at the end. Like a whale.

As we grow closer to the intersection where I make a left for F’s school, she laments: the cloud she loves most will disappear from her view. Mom, make sure you look at this cloud before you turn, she says, her cheeks pressed to the window. Isn’t the sky really just so beautiful today? I turn around and look at her, my sweet stormy cloud. Often full of rain and a bolt or two. In a few weeks, she’ll be five. 

Yeah, I say, staring at her staring out the window. The most beautiful thing I can see.

TUESDAY

On the value of shame, which I hadn’t considered before: 

“Very few of us are moral saints—certainly not me. Unlike everlasting, lofty, abstract principles, we who try feebly to live up to them down in the muck of reality face mucky obstacles: we get tired, impatient, envious, and angry. Our values and principles ask more than most of us are able to give—if they don’t, they are probably too weak to be worth holding. But we don’t have to celebrate our failures or, worse still, confuse them with our successes. This is one valuable function of shame: it reminds us of who we want to be when we fall short, a goalpost that is necessarily anchored to the lofty height that our conduct fell beneath. We also encourage and defend these general social standards when we hold others to them, and not just ourselves.”

—from How Can We Live Together? by Olúfẹ́mi O. Táíwò

WEDNESDAY

My first Diwali card with Biely & Shoaf! (2025)

I’m very excited to share my first Diwali card with you, made in collaboration with Biely & Shoaf! When I began my career a decade ago, no publisher would consider creating a Diwali card with me—really—and so, many years later, this feels like a small win. A win: for me, for the culture, for the field of illustration, for all of us. 

You can purchase this card on the Biely & Shoaf website. 

THURSDAY

To celebrate the upcoming publication of my journal, Learn to Let Go, I invited a few people I admire to share what they’re letting go of, and what they’re learning in the process. 

Today, I’m featuring art, illustrator, and writer Carolyn Yoo. She writes the newsletter SEE YOU, which focuses on the intersection of creativity and self-discovery. I particularly enjoy the way Carolyn views creativity: holistically, as an integral component of good health. Her writing often provides me with something useful to consider or implement into my own creative routine. 

A Portrait of Carolyn Yoo (2025)

What are you letting go of?

CY: A clear artistic identity.

What is this process teaching you?

CY: I’m allowing myself to inhabit the mystery of my interior mind, paying attention to what I’m drawn to and letting all of it percolate into my work with self-trust, without worrying if I make sense to others.

Many thanks to Carolyn for offering a glimpse into her current practice of letting go—a practice that many of us creatives may find useful. You can see Carolyn’s work hereand sign up for her newsletter here. 

In case you missed it, I spoke about acceptance, letting go, and making books with Radim Malinic on the Daring Creativity podcast. 

We’re only two weeks away from the publication of Learn to Let Go, and I’m happy to share that for a limited time, Bookshop.org is offering a 15% on all orders with the code LTLG15. A good time to grab a copy or two or five!

Thank you, always, for supporting my work. 

FRIDAY

it rained in my sleep
and in the morning the fields were wet
I dreamed of artillery
of the thunder of horses
in the morning the fields were strewn
with twigs and leaves
as if after a battle
or a sudden journey
I went to sleep in the summer
I dreamed of rain
in the morning the fields were wet
and it was autumn

—September by Linda Pastan


Two years ago, these were the five things I most wanted to remember:

Dear Somebody: Inyeon. (October 6, 2023)


See you next week!

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Process, Books Tags clouds, Parenting, Parenthood, Olúfẹ́mi O. Táíwò, Diwali, Biely & Shoaf, Greeting Cards, Learn to Let Go, Carolyn Yoo
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Dear Somebody: Rules to live by.

May 16, 2025

Five Rules for Artistic Integrity for RULES TO LIVE BY Zine (2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

As a mother, my priority isn’t to be liked by my children. I want to be liked by them, and I hope that hundreds of moons from now, when they don’t have to call or visit or care, they still choose to—but it isn’t a need, the way their safety or ability to respect themselves is. 

My actions don’t waver. They march to the tune of my priorities, even as my heart falters—even as my mind, alert to my own fallibility, nicks me like a sharpened blade. Ten years from now, when they have friendships and interests and independence, will my children still want to be near me? 

Yesterday, N and I sit outside for hours and draw: first, me on my iPad, working on final drawings for Dear Library and N in her sketchbook, working on self-portraits; then me, in my sketchbook, working on my diary comics and N on my iPad, experimenting with different brushes. Then: both of us together, concrete under our knees, squished together on the old, emerald bedsheet used to protect the porch. 

It’s quiet between us. Our work is important and we take it seriously. It is no small task turning a large cardboard box into a rocket. After some time, N breaks the silence. “Mama, you draw me and I’ll draw you,” she says, and I agree. I choose neon yellow, she chooses blue. I draw her sweet face, she draws my topknot. “I like listening to nature’s music,” N says. “And did you notice that breeze? I like drawing with you, mama. I like when it’s just us.” 

I wish I were more like the earth, who rolls along on her axis and grows her great trees and recycles her sweet air and demands nothing—not to be loved, not even to be liked, in return. I don’t know what life will be ten years from now. I don’t know who my children will become, or whether I’ll have found my road towards self-actualization. Lately, it feels like I’ve only taken wrong turns. 

Still, I am aware enough to recognize love when it’s in front of me. In this moment, it is here, on this porch. It is in this child who once lived in the belly of her mother, and upon her escape, grew into her own person who can also feel and express love. It is in her valuing of birdsong, a fresh sketchbook, and, for now, time alone with her mama. 

TUESDAY

An image of Rules to Live By, a risograph zine (2025)

I was honored to contribute to the Rules to Live By zine organized by Carolyn Yoo, which is a collection of creative manifestos written by 18 fellow artists: Coleen Baik, Dan Blank, Anna Brones, Lian Cho, Kristen Drozdowski, Kelcey Ervick, Petya K. Grady, amelia hruby, Nishant Jain, Adam Ming, Jenna Park, Michelle Pellizzon Lipsitz, Beth Spencer, Nina Veteto, Mitchell Volk, and Seth Werkheiser. 

I contributed my 5 Rules for Artistic Integrity, which is something I’ve considered more deeply over the past few years as I’ve felt the consequences of living as a working artist in the age of social media:

5 Rules for Artistic Integrity by Meera Lee Patel, as part of the Rules to Live Byzine (2025)

The zine was printed, assembled, and bound by hand. Carolyn generously wrote about her entire process for making this zine, including the inspiration behind it, and several contributors wrote about their own experiences with this project:

  • Dan Blank wrote about 5 Rules for Sharing Your Creative Voice

  • Kelcey Ervick wrote about 5 Rules for Dreaming

  • Nishant Jain wrote about 5 Rules for Making Sneaky Art of Your World

  • Kristen Drozdowski wrote about 5 Rules for Creative Authenticity

  • Mitchell Volk wrote about 5 Rules for Collaborating with Yourself (and made an amazing GIF cycling through all the pages of the zine!)

Many thanks to Carolyn for including me in this thoughtful project which was a joy to consider and illustrate. 

WEDNESDAY

I was pleased to see How it Feels to Find Yourself awarded in theSkimm’s 2025 GOOD FOR YOU AWARDS as the best book for self-discovery.

I finished reading We Do Not Part by Han Kang; I started listening to Demon Copperfield by Barbara Kingsolver; I started re-reading—with a new appreciation for the beautiful writing—Tuck Everlasting by Natalie Babbitt.

I’m over my own heels for Japanese illustrator Rokuro Taniuchi’s work, which is difficult to find. I’d love to own a copy of Taniuchi Rokuro Gensouki (Shinshindo, 1981) one day. 

THURSDAY

Portraits of N and Mama (Mother’s Day 2025)

FRIDAY

We said she was a negative image of me because of her lightness.
She's light and also passage, the glory in my cortex.
Daughter, where did you get all that goddess?
Her eyes are Neruda's two dark pools at twilight.
Sometimes she's a stranger in my home because I hadn't imagined her.
Who will her daughter be?
She and I are the gradual ebb of my mother's darkness.
I unfurl the ribbon of her life, and it's a smooth long hallway, doors flung open.
Her surface is a deflection is why.
Harm on her, harm on us all.
Inside her, my grit and timbre, my reckless.

—The Daughter by Carmen Gimenez Smith

See you next week!

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Process Tags Parenting, Parenthood, DEAR LIBRARY, Sketchbook, Rules to Live By, risograph, Coleen Baik, Dan Blank, Anna Brones, Lian Cho, Kristen Drozdowski, Kelcey Ervick, Petya K. Grady, amelia hruby, Nishant Jain, Adam Ming, Jenna Park, Michelle Pellizzon Lipsitz, Beth Spencer, Nina Veteto, Mitchell Volk, Seth Werkheiser, Carolyn Yoo, How it Feels to Find Yourself, Barbara Kingsolver, Natalie Babbitt, Han Kang, Rokuro Taniuchi, Carmen Gimenez Smith
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Dear Somebody: A lesson in unconditional love.

February 23, 2024

A Lesson in Unconditional Love from How it Feels to Find Yourself

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

I wake up tired. 

It’s 4:35 am and the baby is crying. I sit up, swing my legs over to the edge of the bed, and stumble towards the door. Jack has been up for some time now, waiting for us to wake. He dances around my feet, tip-tapping excitedly, wanting me to sit down and play with him. “I need a minute, Jackie,” I mumble, stepping over him and into the bathroom. He watches as I brush my teeth and splash cold water on my face. I feel irritated for no reason. After a few minutes, I close the door.

By 6:00 am, the baby has been changed and fed and cried a few more times. We’re sitting on the floor playing peek-a-boo, waiting for the sun to show her face. Jack sits by the bedroom door, waiting. Every so often, he looks over to see how we’re doing.

Around 6:45, I get dressed. Jack bounces around my heels as I pull on pants and a hoodie. “Jack. Jackie. I need some space,” I say, more gently than I have before. When we reach the back door, he’s there, waiting. I let him out and he races around the yard, joyfully feeling the cool air on his face. The trees are dropping their leaves now, and the crinkle of each one fills my ears. The scent of morning dew after a long fall from the sky passes over us in waves. I breathe in deeply and will myself into feeling new. I want to be better—patient, kind, more appreciative of all the good I have. 

Jack walks over and sits down next to me, so closely that his body is on my feet. His head rests under my hands. He waits. 

—from How it Feels to Find Yourself: Navigating Life’s Changes with Clarity, Purpose, and Heart, my latest book of illustrated essays

TUESDAY

I loved this comic by Gavin Aung Than that illustrates an excerpt from Stephen King’s On Writing—namely, the difficult work/life balance of most artists, and the larger, more balanced perspective that’s only available to us in retrospect. 

Of course, that led me to Bill Watterson’s advice on inventing your own life’s meaningand Stanley Kubrick’s on life’s purposelessness—both encourage me to continue taking the road less traveled.

WEDNESDAY

I’ve always been reluctant to celebrate holidays, especially ones that make it easy to gloss over honest sentiment for sparkles and gifts. This changed when I became a mother. I want my children to experience the joy of thoughtfulness—to understand what a gift it is to know someone well, and to make them feel known. I also realize how much challenge life will give us—and what a strength it is to find reason, still, to celebrate. 

N made these seed packets for Valentine’s Day. She painted and glued each one. She filled them with Zinnia seeds. For over a week, she sat at the dining table and asked to decorate seed packets until she had one for each person in her world. In the end she made nearly 25. She’s three. 

She turned an ordinary Wednesday into something less ordinary—something special, perhaps—for so many. It had nothing to do with Valentine’s Day and everything to do with her heart—which, as I’ve suspected for awhile now, is far too big for her tiny body.

THURSDAY

I’m enjoying these paintings by Ulla Thynell, this book by Rashmi Sirdeshpande and Ruchi Mhasane, and these rules for a creative practice by Carolyn Yoo.

FRIDAY

Cook a large fish — choose one with many bones, a skeleton
you will need skill to expose, maybe the flying
silver carp that’s invaded the Great Lakes, tumbling
the others into oblivion. If you don’t live
near a lake, you’ll have to travel.
Walking is best and shows you mean it,
but you could take a train and let yourself
be soothed by the rocking
on the rails. It’s permitted
to receive solace for whatever you did
or didn’t do, pitiful, beautiful
human. When my mother was in the hospital,
my daughter and I had to clear out the home
she wouldn’t return to. Then she recovered
and asked, incredulous,
How could you have thrown out all my shoes?
So you’ll need a boat. You could rent or buy,
but, for the sake of repairing the world,
build your own. Thin strips
of Western red cedar are perfect,
but don’t cut a tree. There’ll be
a demolished barn or downed trunk
if you venture further.
And someone will have a mill.
And someone will loan you tools.
The perfume of sawdust and the curls
that fall from your plane
will sweeten the hours. Each night
we dream thirty-six billion dreams. In one night
we could dream back everything lost.
So grill the pale flesh.
Unharness yourself from your weary stories.
Then carry the oily, succulent fish to the one you hurt.
There is much to fear as a creature
caught in time, but this
is safe. You need no defense. This
is just another way to know
you are alive.

—How to Apologize by Ellen Bass

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Life Tags How it Feels to Find Yourself, Writing, Essays, Motherhood, Parenting, Parenthood, Gavin Aung Than, Comic, Stephen King, On Writing, work/life balance, Bill Watterson, Life Meaning, Stanley Kubrick, Purpose, Holidays, Celebration, Ulla Thynell, Painting, Rashmi Sirdeshpande, Creative Practice, Ruchi Mhasane, Carolyn Yoo, How to Apologize, Ellen Bass, Poetry
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

Join thousands of other readers by subscribing.


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