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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: The start of something.

January 5, 2024

Happy new year, everyone. 

I took the last few weeks off in an effort to not be on the computer or my phone and it was wonderful, though I missed writing. This week’s letter is a mush of end-of-year recap, more/less for the new year, and, of course, poetry. 


A year from now, here are five things from this week that I'd like to remember:

MONDAY 

End-of-year lists are tough for me, because I tend to zoom in on what doesn’t work instead of celebrating all that does. This used to be motivating. Recently, I’ve realized how continuing to push myself without acknowledging how far I’ve come has taken a toll on my confidence, resilience, and motivation. 

I don’t want the rest of my years to continue this way. Luckily, I am reminded daily that nothing in life has to be this or that. I can celebrate some things and decide to do other things differently. I can feel gratitude for what I have and let go of what I don’t need or want. I can love well and uphold strict boundaries. 

The gray is where clarity lives. It is simple. It is both. 

My 2023 memorables: 

  • Having a safe delivery and giving birth to beautiful, healthy F. She is the greatest of all gremlins, the loudest 13-pounder, the absolute apple of both my eyes, and N’s favorite lovey. I can’t wait until she can look me in the face with her gigantic moonbow eyes and say, quite clearly, “no”—just like her sister does. 

  • Graduating from Washington University with my MFA and a permission to dream bigger.

  • Working less. Letting social media fall away. Creating less content, less paid work, less of everything. 

  • Publishing How it Feels to Find Yourself: Navigating Life’s Changes with Purpose, Clarity, and Heart, a book that was born in the pandemic and carried me through the past few years. 

  • Publishing Go Your Own Way: A Journal for Building Self-Confidence, the fourth in my journal series. Remembering Start Where You Are, which began it all. Feeling grateful for my past self, who took a chance on herself. Feeling grateful for my present self, who continues to.

  • Some of the best work I made this year was for my column, Being, in Uppercase Magazine. I have the freedom to experiment with full support from my editor, Janine, and I feel lucky and grateful for her trust. 

  • Pushing past the overwhelm to travel with two small children: 

    • Visiting friends and family in New Jersey. Playgrounds. Laundry. Meal prep. Doing the same mundane stuff I do at home, but with my sister. Three o’clock drinks, hide and seek, splash pads. Watching five tiny people I love so much love on each other. 

    • Visiting friends and family in London. Meeting my Penguin UK family. Seeing the city through N’s eyes from the very top of a double-decker bus. Holiday lights. N’s first ice cream crone. F’s first croup. Making it through. 

    • Spending our very first cousins Christmas at my sister’s. The joy of five little adventurers. All-floor hide and seek. Evergreens. Cold walks. A warm and cozy home, supported by a inexhaustible thermostat and family who knows me well. 

    • Visiting upstate New York for the final few days of 2023. Managing expectations. Practicing flexibility. Looking for the helpers; finding them inside ourselves. Creating new traditions that will carry into each next year. 

  • Joining Margaux Kent a poem-a-day project, which has been a lesson in friendship, grace, and the power of art that isn’t shared publicly. 
    *I wrote more about this project in my last letter.

  • Writing this newsletter! This year, propelled by an apathy towards my work, I shifted my focus away from marketing and towards meaning. I write this newsletter for myself, first—and second, in the hopes that it will resonate with someone out in the world. Most of the time, I find that it does. If I’m honest with myself, I can also be honest with you. 

    I wanted to write Dear Somebody weekly, and I tried my best to. Instead, I wrote 32 letters and gave myself a break when I needed one. That feels just right. I feel proud of how much I wrote and I’m excited to write more this year. Both/And. 

TUESDAY

Now that she’s 3, N has taken on an interest in Santa. I myself don’t know how to explain the phenomena of Santa, though my childhood was also made up of The Nutcracker and Christmas trees, dreaming in the same red-and-white-and-sugarplum colors that my children do. 

I don’t feel particularly attached to the idea of Santa, but I recognize what he can bring: Joy. Innocence. The ability to believe in something you can’t see, like friendship or courage or sometimes, yourself. The skills necessary to decide, on your own, when something isn’t worth believing in anymore. 

Who is Santa? N asks. You know, I’m not sure, I reply.  Is he kind? she says. Yes, I say. I think so. He tries to make others happy. She thinks this over. I’d like red rain boots from Santa, she says. Well, I tell her: Then you’ve gotta write to him and ask. And so she does.

Her very first letter to Santa reads: 

Dear Santa,

I want to see you because I really want to see Santa. I want you to take a photo by the Christmas tree so I can see you. And I would still like my red rain boots please. 

Your friend,
N

N places her letter to Santa on the coffee table, next to all of the other letters her cousins wrote to him. She studies the table, laden with cookies and milk and carrots for the reindeer. She looks at the chimney, which definitely doesn’t have room for even the slimmest of Santa’s to shimmy through. She wonders if she’ll hear him. She wonders if the reindeer will wait for him to return. 

I hope these letters will keep him warm, she says, at long last, before climbing up the stairs to say goodnight. 

WEDNESDAY

“Racism, it seems to me, is usually not calculated but is rather a form of stupidity: it’s the absence of thought. That’s why it is very important to think and speak as clearly as we can.

Of course I do also believe in the political value of slow forms, of art-making, even if this value is quite intangible and unpredictable, and even if I fairly regularly experience crises of faith. People with different professions and temperaments might be more suited to quick action; the present extremity of violence will eventually crest (even though this is actually very difficult to think about right now) and the tempo will shift and the slow people will become useful again. And at the same time there are shorter-term things we can all do, like speak truth to power when power is lying. We can try to lift up the voices that are being suppressed or drowned out. We can insist on history, and on facts, and on humanism.

But, also, artists and intellectuals are just people of the world. We need to hold on to the very basic democratic principle that the exercise of individual agency becomes powerful en masse.”

—Isabella Hammad in conversation with Sally Rooney

”
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.”

—from Anne Lamott’s Bird by Bird

THURSDAY

After seeing Elizabeth Haidle’s more/less list, I read Anis Mojgani’s and Julia Rothman’s. 

And then I made my own:

Also: more hide and seek, more lemon, more taking new paths. 

FRIDAY

i am running into a new year
and the old years blow back
like a wind
that i catch in my hair
like strong fingers like
all my old promises and
it will be hard to let go
of what i said to myself
about myself
when i was sixteen and
twenty-six and thirty-six
even thirty-six but
i am running into a new year
and i beg what i love and
i leave to forgive me

—”i am running into a new year” by Lucille Clifton


In 2024, I wish us all health, happiness, and hope. Thanks for being here with me. It will forever mean the world to me. —M


xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Life Tags New Year, End of Year, Lists, Memories, Recap, Motherhood, Parenting, Parenthood, Graduate School, How it Feels to Find Yourself, Go Your Own Way, Start Where You Are, Uppercase Magazine, Family, Friends, Poetry, Santa, Isabella Hammad, Sally Rooney, Racism, Bird by Bird, Anne Lamott, Elizabeth Haidle, more/less list, Julia Rothman, Anis Mojgani, i am running into a new year, Lucille Clifton
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Dear Somebody: Where has all the time gone?

May 20, 2022

In the sixth month, a collage illustration for Ilya Kaminsky's We Lived Happily During the War

A year from now, here are five things from this week that I'd like to remember:

MONDAY

“Probably the best thing my parents did—two simple things that don’t seem to occur to many people—was to give me my own desk just for art and to let me use professional (or at least good) art supplies from a very young age. My father was a printmaker in the 1980s, so he had all of his stuff lying around and was very generous about it. Other than that, I did not have after-school art classes or trips to museums or things that people assume are key to inspiration. In the 1980s, art was seen as an optional thing in the sidelines of life, so you got to make “creative stuff” at school if you happened to get a teacher who was personally into it. That was about once every three years. I would say that, instead, boredom was the key to inspiration. My family didn’t have any money to spare, didn’t go many places, and therefore my brothers and I had loads of unstructured time, our own desks, and a backyard with plants and dirt. We didn’t have vacations, other than driving to a river or a beach once in a while, so I figured that exploring ideas in the far reaches of one’s imagination was perhaps the best way to travel.”

–from Elizabeth Haidle's interview with Haley Laningham in Southeast Review

P.S. Elizabeth (who is as lovely on the phone as she is on the internet) has a new needle felting course out that I'm excited to take this summer. Maybe you'd like it, too!

TUESDAY

Today marks the last day of my first year of graduate school. It feels anticlimactic; I knew it would. Significant days have a way of doing that: feeling like a terrific storm that took a wrong turn somewhere, forgetting to arrive. The body fills with an anticipation so large that there is very little room left for the prospect of satiety.

In preparation for my final review, I finished illustrating Ilya Kaminsky's We Lived Happily During the War, and bound my illustrations for William Bronk's The Tell into a neat little book. I thought about how much I love poetry, and how poetry has always loved me back, the way only books or paintings or music can, without reason or knowing how.

This summer, I'll write and illustrate some of my own poems. I want them to be good. I want them to be so good, so badly, that I often think about not writing them at all. The one thing graduate school has taught me is the one thing I already knew. In life and love and art and parenting, you can't really plan on it being good. The only thing you can plan on––all you can really count on––is trying.

WEDNESDAY

"The Ama divers of Japan are all-women divers. The women dive tankless making them free divers, and while they also collect seafood and seaweed, their main focus is pearls. Ama means ‘woman of the sea’ or ‘sea women.’

The world of the ama is one marked by duty and superstition. One traditional article of clothing that has stood the test of time is their headscarf. The headscarves are adorned with symbols such as the seiman and the douman, which bring luck to the diver and ward off evil. The ama are also known to create small shrines near their diving location, where they will visit after diving in order to thank the gods for their safe return."

–on the Ama divers of Japan, from Erin Austen Abott's newsletter, Field Trip

THURSDAY

It's 6:45 am and we are downstairs in the kitchen, Mr. Morale & the Big Steppersplaying on the stereo, N shoveling fistfuls of granola into her face. Her head hinges at the neck like an L-shaped bracket and she moves corpse-like to the beat. She is, by far, the best dancer under this roof.

I laugh aloud and the future flashes behind my eyes: N at 14 slamming the door in my face, N at 3 giving me a soaking wet post-bath hug, N at 22 calling me on the phone, I hope, just to say hello. I laugh aloud and her voice fills the space between my ears like crickets' song, beautiful against the early morning stillness.

It's 6:48 am and I'm back downstairs, standing in the kitchen while she bops along to Kendrick Lamar. “MA-ma!" she shouts, beckoning me to dance, but I feel exhausted, having traveled to the future and back. She's only 18 months, I know, but it was yesterday that I brought her home from the hospital.

Where has all the time gone, I wonder.

FRIDAY

I like the lady horses best,

how they make it all look easy,

like running 40 miles per hour

is as fun as taking a nap, or grass.

I like their lady horse swagger,

after winning. Ears up, girls, ears up!

But mainly, let’s be honest, I like

that they’re ladies. As if this big

dangerous animal is also a part of me,

that somewhere inside the delicate

skin of my body, there pumps

an 8-pound female horse heart,

giant with power, heavy with blood.

Don’t you want to believe it?

Don’t you want to lift my shirt and see

the huge beating genius machine

that thinks, no, it knows,

it’s going to come in first.

–from Ada Limón's How to Triumph Like a Girl

xo,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Motherhood Tags Elizabeth Haidle, Haley Laningham, Southeast Review, Inspiration, Graduate School, Ilya Kaminsky, William Bronk, Poetry, Books, Ama divers of Japan, Erin Austen Abott, Kendrick Lamar, Time, Family, Parenting, Motherhood, Ada Limón
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

Join thousands of other readers by subscribing.


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