Dear Somebody: Looking for the good.

A fallen tree and garage (Saint Louis, 2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

Two days after the tornado, N and I take a walk around our neighborhood. The pieces of it are everywhere: hundred-year-old red clay roofing tiles broken and littered across our backyard; downed electric wires strewn in the alley, their bodies snaking across crushed dumpsters and cement stairs. Broken windows glint where they lay—the light reaching and then snapping back from each jagged edge. The amount of glass is endless. It glitters on and on like the sea. 

Look at all the missing roofs, I tell N. All of these people without homes. 

But look at all the people helping, she tells me. I count three people on that roof. They will fix it. 

My heart aches for the trees. 100, 150, 200 years old—now split at the torso, their beautiful rings exposed for us all to see. Our sidewalks are hidden, covered either by whatever’s left of their massive trunks, or hundreds of their smaller limbs. The arms bend this way or that, but still they reach up, up towards the sky. Roots and the earth that once held them have risen like mountains. Now they stand beside us. The sky itself is bigger now, with less leaf and limb in its face. It’s still blue. It’s still beautiful. 

I can’t believe all of these trees are gone, I tell N. They were here for so long. 

We will plant new ones, she tells me. They will grow again.

My heart aches for our neighbors. We walk past our neighbor’s front yard, now covered in the hundreds of bricks that used to compose his second story.  At first, there was nothing, he tells me. This was just a tree in my yard. Now it’s a tree in my house.

N checks on the fairy garden he’d built into the base of another tree which still stands. Elfis is okay, she assures me, pointing to the tiny toy elf. But his fence fell down. And the bird bath is upside down. I’m going to help. She stands the fence back up, and I go back into our home for supplies. I emerge with a fresh bouquet of flowers, a bowl, some water, some scissors, and a few beloved seashells from our trip to Pensacola. 

N helps the fairy garden (2025)

My neighbor and I discuss insurance policies. We discuss how the sirens failed, how there wasn’t enough time to get to the basement. How he crouched in the stairwell with his arms protecting his head. We discuss how lucky we all are. 

Meanwhile, N snips and presses. She fusses and fixes. She fills the tiny bird bath with a teaspoon of water. She digs holes to plant new flowers. She decorates Elfis’ home with the heart of a child who wants to help. I hope he likes it, she whispers to me, as our neighbor goes back inside. I think we did good. I think this will help him smile. 

Elfis and his home (2025)

Donate to the City of St. Louis Tornado Response Fund here; learn about opportunities to volunteer your time and efforts here. The 100 Roofs project is looking for volunteers here. 

TUESDAY

A perfect moon (Cincinatti, 2025)

A perfect moon in Cincinnati. 

WEDNESDAY

Fred Rogers on imagination in dreams and how to imagine better ways of discussing reality with our children—and of course, on learning to look for the helpers. 

THURSDAY

The French cover of GO YOUR OWN WAY, published by Le Livre de Poche

The French edition of GO YOUR OWN WAY, published by Le Livre de Poche

An interior painting from the French edition of GO YOUR OWN WAY

I was thrilled to receive the French edition of Go Your Own Way, sent to me by my French publisher, Le Livre de Poche. The French edition is available here.

Other editions include: the UK edition (Penguin Random House UK), Arabic edition(Jarir), and of course, the original English edition (Tarcher). 

FRIDAY

Sit down. Inhale. Exhale.
The gun will wait. The lake will wait.
The tall gall in the small seductive vial
will wait will wait:
will wait a week: will wait through April.
You do not have to die this certain day.
Death will abide, will pamper your postponement.
I assure you death will wait. Death has
a lot of time. Death can
attend to you tomorrow. Or next week. Death is
just down the street; is most obliging neighbor;
can meet you any moment.
You need not die today.
Stay here--through pout or pain or peskyness.
Stay here. See what the news is going to be tomorrow.
Graves grow no green that you can use.
Remember, green's your color. You are Spring.

—To The Young Who Want to Die by Gwendolyn Brooks

See you next week!

xx,

M

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Dear Somebody: In the midst of things.

Stay Golden, four-color risograph. Printed by Land Gallery in Portland, Oregon (2024)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

I plot the process for my current book, drawing a path that can take me from concept sketches to final paintings and then production work. I follow the path, and for awhile, all goes according to plan: I collect inspiration; I draw initial concepts and then four rounds of revised sketches; I kill my darlings, I stay open to criticism. 

I keep to the path but the path stops making sense. The more I work on sketches, the more afraid I feel of making final drawings. The more I work on perfecting my linework, the more afraid I feel of picking up a paintbrush. I don’t want to fail; I know I will. 

I’m overwhelmed by how circuitous the path has become, as if it were designed to keep me from progression. But the path is a line, not a loop—and hadn’t I drawn it myself? I know how I like to work: matter of factly, like a machine. I know how I like my process to feel: clean, orderly, with little friction. I know what I want to create: surprise, the unfolding of what I haven’t planned. 

On Saturday morning, I visit Chris Wubbena’s exhibit at The St. Louis Artist’s Guild. It’s titled In the Midst of Things. Each sculpture is created by the enmeshment of everyday objects, each removed from where they once stood in the middle of their own respective lives. I walked around the room of miniature buildings, some tilted at precarious angles or stacked atop slippery mixtapes. There are poems in the center of these buildings; there are voices and video; there are people and their stories. All smushed together. All leaking surprise. Somewhere in the middle. 

In the midst of things is a literary device where the narrative work begins in the middle of the plot—not at the beginning. Though I carefully designed my creative process to keep my fear and anxiety at bay, it only cultivates more of both. It encourages me to continue planning instead of creating. It forces me to stay in the beginning so I never have to be in the middle—and the middle is where surprise lives. 

When I come home from the exhibit, I say goodbye to my plan. My studio is a mess. I’ve only properly sketched out half of the book, but instead of planning the rest, I jump into a final painting. I choose colors like an artist instead of a scientist; I let myself feel. I swish the paint around on the page, I let it pool where it shouldn’t. This painting isn’t from the beginning of the book, nor at the end. It’s page 17—right in the middle of the story, where all of the surprises are still waiting to happen. 

I have a bunch of thumbnails, only one final drawing, and more questions than answers—but I know the answers are somewhere in here, beneath the gouache tubes and tracing paper and my own apprehension. It feels messy being in the middle, but I also feel the satisfying stretch of discomfort—of knowing my mind is working under conditions it isn’t used to, that my body is familiarizing itself with a feeling that isn’t easy.

I don’t know how to paint this book, but I’m figuring it out. It’s messy where I am, but I stand my ground. I’m on the cusp of unraveling a mystery, of finding water, of waking up in the place where it all finally begins to make sense. 

Standing in the middle, I begin to understand it—where surprise really lives. It’s somewhere here: in the midst of things. 

TUESDAY

Stay Golden, four-color risograph (2024)

Stay Golden, four-color risograph (2024, detail shot)

After much experimentation, Stay Golden is available as a four-color risograph print! It was printed very thoughtfully in blue, yellow, green, and magenta inks by Land Gallery in Portland, Oregon. It is available exclusively through Buy Olympia. 

Many thanks to Pat for all of his hard work and dedication in making this edition happen! 

Stay Golden crewneck sweatshirts, made in collaboration with Golden Hour

The original Stay Golden crewneck, made in collaboration with Golden Hour Candle Co., is available here — perfect for this crisp, cool weather. Both make excellent gifts.

WEDNESDAY

“You will take bits from books you’ve read and movies you’ve seen and conversations you’ve had and stories friends have told you, and half the time you won’t even realize you’re doing it. I am a compost heap, and everything I interact with, every experience I’ve had, gets shoveled onto the heap where it eventually mulches down, is digested and excreted by worms, and rots. It’s from that rich, dark humus, the combination of what you encountered, what you know and what you’ve forgotten, that ideas start to grow.” 

—from Ann Patchett’s This is The Story of a Happy Marriage

I am still working my way through all of Emile Mosseri’s film scores, which is my current favorite music to write or draw to. My family is tired of the Minari soundtrack, so now I’ve moved onto Kajillionaire, The Last Black Man in San Francisco, and Homecoming. 

As a middle-schooler, I was hugely mesmerized by Frank L. Baum’s method of worldbuilding. I bookmarked this piece by John Updike to understand more about how a series of intricately-crafted books continue to be overshadowed by the film they inspired.

Lastly, I loved this list on how to reassess your childhood relationships by Malaka Gharib—thoughtfully provoking. 

THURSDAY

I was pleased to receive a few copies of the French edition of Go Your Own Way, from my French publisher, Le Livre de Poche! 

The French edition is available here, and the English version is available here. 

FRIDAY

Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don’t patch the cup.
Don’t patch anything. Don’t mend. Buy safety pins.
Don’t even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don’t keep all the pieces of the puzzles
or the doll’s tiny shoes in pairs, don’t worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic-decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don’t even think of cleaning out.
That closet stuffed with savage mementos.
Don’t sort the paper clips from screws from saved baby teeth
or worry if we’re all eating cereal for dinner
again. Don’t answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in through the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don’t read it, don’t read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.

—Advice to Myself by Louise Erdrich

See you next week!

xx,

M

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Dear Somebody: The start of something.

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Happy new year, everyone. 

I took the last few weeks off in an effort to not be on the computer or my phone and it was wonderful, though I missed writing. This week’s letter is a mush of end-of-year recap, more/less for the new year, and, of course, poetry. 

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A year from now, here are five things from this week that I'd like to remember:

MONDAY 

End-of-year lists are tough for me, because I tend to zoom in on what doesn’t work instead of celebrating all that does. This used to be motivating. Recently, I’ve realized how continuing to push myself without acknowledging how far I’ve come has taken a toll on my confidence, resilience, and motivation. 

I don’t want the rest of my years to continue this way. Luckily, I am reminded daily that nothing in life has to be this or that. I can celebrate some things and decide to do other things differently. I can feel gratitude for what I have and let go of what I don’t need or want. I can love well and uphold strict boundaries. 

The gray is where clarity lives. It is simple. It is both. 

My 2023 memorables: 

• Having a safe delivery and giving birth to beautiful, healthy F. She is the greatest of all gremlins, the loudest 13-pounder, the absolute apple of both my eyes, and N’s favorite lovey. I can’t wait until she can look me in the face with her gigantic moonbow eyes and say, quite clearly, “no”—just like her sister does. 

• Graduating from Washington University with my MFA and a permission to dream bigger.

• Working less. Letting social media fall away. Creating less content, less paid work, less of everything. 

• Publishing How it Feels to Find Yourself: Navigating Life’s Changes with Purpose, Clarity, and Heart, a book that was born in the pandemic and carried me through the past few years. 

• Publishing Go Your Own Way: A Journal for Building Self-Confidence, the fourth in my journal series. Remembering Start Where You Are, which began it all. Feeling grateful for my past self, who took a chance on herself. Feeling grateful for my present self, who continues to.

• Some of the best work I made this year was for my column, Being, in Uppercase Magazine. I have the freedom to experiment with full support from my editor, Janine, and I feel lucky and grateful for her trust. 

• Pushing past the overwhelm to travel with two small children: 

  • Visiting friends and family in New Jersey. Playgrounds. Laundry. Meal prep. Doing the same mundane stuff I do at home, but with my sister. Three o’clock drinks, hide and seek, splash pads. Watching five tiny people I love so much love on each other. 

  • Visiting friends and family in London. Meeting my Penguin UK family. Seeing the city through N’s eyes from the very top of a double-decker bus. Holiday lights. N’s first ice cream crone. F’s first croup. Making it through. 

  • Spending our very first cousins Christmas at my sister’s. The joy of five little adventurers. All-floor hide and seek. Evergreens. Cold walks. A warm and cozy home, supported by a inexhaustible thermostat and family who knows me well. 

  • Visiting upstate New York for the final few days of 2023. Managing expectations. Practicing flexibility. Looking for the helpers; finding them inside ourselves. Creating new traditions that will carry into each next year. 

• Joining Margaux Kent a poem-a-day project, which has been a lesson in friendship, grace, and the power of art that isn’t shared publicly. 
  *I wrote more about this project in my last letter.

• Writing this newsletter! This year, propelled by an apathy towards my work, I shifted my focus away from marketing and towards meaning. I write this newsletter for myself, first—and second, in the hopes that it will resonate with someone out in the world. Most of the time, I find that it does. If I’m honest with myself, I can also be honest with you. 

  I wanted to write Dear Somebody weekly, and I tried my best to. Instead, I wrote 32 letters and gave myself a break when I needed one. That feels just right. I feel proud of how much I wrote and I’m excited to write more this year. Both/And. 
  

TUESDAY

Now that she’s 3, N has taken on an interest in Santa. I myself don’t know how to explain the phenomena of Santa, though my childhood was also made up of The Nutcracker and Christmas trees, dreaming in the same red-and-white-and-sugarplum colors that my children do. 

I don’t feel particularly attached to the idea of Santa, but I recognize what he can bring: Joy. Innocence. The ability to believe in something you can’t see, like friendship or courage or sometimes, yourself. The skills necessary to decide, on your own, when something isn’t worth believing in anymore. 

Who is Santa? N asks. You know, I’m not sure, I reply.  Is he kind? she says. Yes, I say. I think so. He tries to make others happy. She thinks this over. I’d like red rain boots from Santa, she says. Well, I tell her: Then you’ve gotta write to him and ask. And so she does.

Her very first letter to Santa reads: 

Dear Santa,

I want to see you because I really want to see Santa. I want you to take a photo by the Christmas tree so I can see you. And I would still like my red rain boots please. 

Your friend,
N

N places her letter to Santa on the coffee table, next to all of the other letters her cousins wrote to him. She studies the table, laden with cookies and milk and carrots for the reindeer. She looks at the chimney, which definitely doesn’t have room for even the slimmest of Santa’s to shimmy through. She wonders if she’ll hear him. She wonders if the reindeer will wait for him to return. 

I hope these letters will keep him warm, she says, at long last, before climbing up the stairs to say goodnight. 

WEDNESDAY

“Racism, it seems to me, is usually not calculated but is rather a form of stupidity: it’s the absence of thought. That’s why it is very important to think and speak as clearly as we can.

Of course I do also believe in the political value of slow forms, of art-making, even if this value is quite intangible and unpredictable, and even if I fairly regularly experience crises of faith. People with different professions and temperaments might be more suited to quick action; the present extremity of violence will eventually crest (even though this is actually very difficult to think about right now) and the tempo will shift and the slow people will become useful again. And at the same time there are shorter-term things we can all do, like speak truth to power when power is lying. We can try to lift up the voices that are being suppressed or drowned out. We can insist on history, and on facts, and on humanism.

But, also, artists and intellectuals are just people of the world. We need to hold on to the very basic democratic principle that the exercise of individual agency becomes powerful en masse.”

—Isabella Hammad in conversation with Sally Rooney

”If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.”

—from Anne Lamott’s Bird by Bird

THURSDAY

After seeing Elizabeth Haidle’s more/less list, I read Anis Mojgani’s and Julia Rothman’s. 

And then I made my own:

Also: more hide and seek, more lemon, more taking new paths. 

FRIDAY

i am running into a new year
and the old years blow back
like a wind
that i catch in my hair
like strong fingers like
all my old promises and
it will be hard to let go
of what i said to myself
about myself
when i was sixteen and
twenty-six and thirty-six
even thirty-six but
i am running into a new year
and i beg what i love and
i leave to forgive me

—”i am running into a new year” by Lucille Clifton

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In 2024, I wish us all health, happiness, and hope. Thanks for being here with me. It will forever mean the world to me. —M

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xx,

M

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Dear Somebody: May all, should all.

A houseboat in London, banked along the Thames River.

Hi, friends. 

I missed writing to you while I was traveling for the last few weeks—but write I did, mostly in my head or in my Notes app or in the new Moomin journal I bought during our trip to London. 

I am home now and hoping to return to my weekly schedule. We’ll see. I’ll manage what I can and try to let go of what I can’t—I hope you are doing the same.

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A year from now, here are five things from this week that I'd like to remember: 

MONDAY 

Week of November 17, 2023

A blush of robins circle above our heads as F and I set out for our morning walk. They are quiet, save for the occasional call. I lose sight of them as I walk down the alley across the street from our own. It is my favorite alley because it’s made of St. Louis red brick, cobblestoned together, still, despite the hills and sinks that threaten to displace them. Another reminder of the earth’s uprising against man. The brick path rattles the stroller, creating a rhythm that soothes F and that she allows herself to succumb to. It makes me feel like I’m in New Orleans, or at least somewhere else. 

A single robin follows us along, hopping from brick to brick. I wonder where else she’s been.

Week of November 24, 2023

After three days in London, F wakes up in with a fever. Her breath is short and raspy, her tiny nose closed. I give her a bottle but she barely drinks, her eyes closing before they’re even really open. All day she sleeps, either on my chest or T’s shoulder. She is still small enough to be toted around on another’s giving body, the world moving unbeknownst around her. She is still small enough where a prolonged fever ignites fear, too small to understand why her passageways won’t allow air in—why a body or a friendship or a story that is meant to work sometimes will not.

The air in London is cold but bright. We walk along High Street to flush some cool air into F’s lungs. She sleeps on T while he walks, a tiny little Joey inside a quilted blue jumper and mint green beanie. Her breath comes slowly, labored. But still, it comes.

Week of December 1, 2023

A chatter of mint-green parakeets abandons the tree on our corner while we walk towards them. They swoop low, once, before returning to the sky and resuming formation. They are joyful and though they bring me joy, I can’t help but question their belonging. They are out of place. Lovely green jewels dotting an otherwise bleak November sky. 

Week of December 8, 2023

Croup rattled F’s body for nearly a week. I sleep sitting up, with her body on mine, so that if she stops breathing, I’ll know. I feed her every two hours, as if she was newborn, to keep her tiny body hydrated. The humidifier is on high. The entire guest room feels like a tropical sauna, wet and hot but also, somehow, cold. I wish we were at home so she could get the care she needs, I think to myself, not understanding that she is getting the care she needs.

I remember all of this now, but it is unclear. It takes effort to recall the climate, or the shoulder ache that persists from holding a baby upright for hours through the night. It takes effort to even remember the days-long headache, or how my eyes leaked from behind my glasses, not from sadness or fright, but sheer exhaustion. 

What I do remember is how much love existed within the white walls of our London guest room. What I remember is my two hands on F’s back, feeling for her breath through her spine. What I remember is studying her small mouth, tongue having fallen out, as it sought her next breath. What I remember is the slight of her frame, huddled close against mine. The light that climbed out of me to find its way to her. The deliberate care that this child received; the affection bestowed upon her; the comfort of complete observation. The respect of being valued as a human being—as decent and significant and with causes as great as any man grown, or with power. The love of her father and mother and sister and aunts and uncles, all hurtling towards her through touch and thought and mysterious language I am not privy to. 

What I remember are the wishes I made through each hour of the night. They are easy to remember because I wish them each night still. May all children feel their mothers’ two hands on their back. May all children feel the support of a community under their feet. May all children be given another’s light when they cannot find their own. May all, should all. But all are not. 

TUESDAY

The music in my ears, spotted in the London underground last week.

Cat Power singing Bob Dylan’s 1966 Royal Albert Hall Concert has been on repeat in my house for weeks now. The few times I’m out in London on my own, I listen to her voice while I walk, singing along: She's got everything she needs. She's an artist. She don't look back.

WEDNESDAY

It was an actual joy to speak with Nicole Zhu last week about the process behind Go Your Own Way and How it Feels to Find Yourself for her newsletter. 

Nicole has supported my work for years now. She is an incredible writer and puts out one of my favorite newsletters. After the kids were settled in bed, I spoke to her about how motherhood propelled creative growth, my writing/illustration process, and cultivating quiet confidence. It was easily the most enjoyable hour of my day.

You can read the entire interview here!—and enter a giveaway for a chance to win my books.

THURSDAY

The Dutch edition of Go Your Own Way is now available through my publisher Unieboek! This is my fourth journal, but I still find it incredibly exciting to see my work translated into foreign languages, reaching more readers across the world. Feeling lucky; feeling grateful. 

FRIDAY

I won’t be able to write from the grave
so let me tell you what I love:
oil, vinegar, salt, lettuce, brown bread, butter,
cheese and wine, a windy day, a fireplace,
the children nearby, poems and songs,
a friend sleeping in my bed—
and the short northern nights.

—I Won’t Be Able to Write From the Grave by Fanny Howe

xx,

M

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Dear Somebody: A song for myself

The final painting and exercise from my latest journal, Go Your Own Way

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

Tomorrow I’m going to celebrate myself, I say. It’s publication day for my fourth (!) journal, Go Your Own Way, and I want to commemorate the occasion. I am notorious for sweeping my own accomplishments under the rug: a byproduct of living with an overt stress on humility, which is common for immigrants and their children—and my own, ever-rising expectations of myself. 

More complicated, though, is my relationship with success. Like most working artists, I desire validation for my work—yes. Of course. I also realize how necessary quantitative success (in the shape of sales/awards/reviews/engagement) is to sustain my work, and I hope, above all else, that my books will find readers. I don’t necessarily enjoy the limelight, though, or the pressures that accompany putting a finished work out into the world. I think a lot of artists feel this way. I’d much rather be at my desk, surrounded by words and pencils; I’d rather be working on my craft. 

My goal is to celebrate myself because what I really want—more than sales or accolades or other forms of external validation—is validation from myself. To believe that I’ve done a good thing—a great thing, regardless of how successful it is by industry metrics. To know that doing a good thing is, in itself, enough. I’ve worked hard to make a book that will help others help themselves. I’ve created a tool that can change how someone feels about themselves. I am proud of that. My brain knows this, and if I can get my heart to feel it? That’s worth celebrating.

After the morning rush and daily chores, I put F down for her first nap and respond to emails. I reply to those who write to me, who take the time to read my work, who spend their hard-earned dollars on my books. Each email is an invisible thread that connects me to someone else—often, a person on the other side of the world. The fact that something I wrote put me in dialogue with a person I’d otherwise never have met? This is a great victory, a sign that yes, vulnerability and dedicated craft can carry you to another place. I reply to each person and feel gratitude swell up inside me like a balloon. To be seen, to be read by someone else: A celebration.

Late morning, me and F go for our second walk. The trees are bloodshot and marigold, tiny maple leaves dancing around us, each one a tiny one-leaf parade. The air is brisk. A light breeze follows us. The fallen leaves, dead for weeks now, are starting to decay. A dampness fills the air, almost metallic in scent, and I can’t help but love autumn more. F watches the leaves fall, each descent a small wave from the earth. The world transforms in front of me; I let its evolution guide my own. Allowing myself to be changed? A celebration. 

T and I have lunch together. This is rare for us, though we both work from home. I have a sandwich that I didn’t make in a coffee shop that is not my house. This is, in itself, a celebration. I draw a little and he works a little, we talk when something needs to be said. I remember how often we used to do this, before children, of course—and how special it is: to work on something that fills your heart next to someone who does the same. A celebration. 

Later that afternoon, while F is still napping, I look in the mirror. I don’t have to search for very long before I see her—the person I am next to the person I am becoming. Someone who is more than a mother, a wife, a daughter, and an artist—someone who is all of those things, and perhaps, even more. Behind the person I am and the person I’ll become, I see shadows of all the people inside me that I’ve yet to recognize. I feel my ingrained need to be more finally hush, as the feeling of being enough finally settles in. 

Quietly, the heart sings. A celebration. A song for myself. 

TUESDAY

I’d be remiss not to chronicle here, in my little ol’ newsletter, that Go Your Own Waycame out today! 

I’m planning on working through this journal, alongside a dear friend, beginning next week. A year after I wrote this book, I’m excited to revisit it: to have accountability, to see what I unearth. 

If you haven’t gotten a copy, you can get one here. The UK edition is available here. 

WEDNESDAY

"Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity—audience, critics, economics, trivia—in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear.” 

—from David Bayles’ Art and Fear

THURSDAY

A book I finished, a book I’m starting, a book I pre-ordered, a book I’m eagerly waiting for. 

FRIDAY

When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness. I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, “Stay awhile.” The light flows from their branches. And they call again, “It's simple,” they say, “and you too have come into the world to do this, to go easy, to be filled with light, and to shine.”

—When I am Among the Trees by Mary Oliver

xx,

M

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Dear Somebody: It's publication day!

Hi, friends.

I’m sending out a special note today because it’s publication day for Go Your Own Way!

Go Your Own Way: A Journal for Building Self-Confidence publishes today through TarcherPerigee (Penguin Random House) and is available through BuyOlympia, Bookshop.org, Barnes & Noble, Target, and Amazon.

The UK edition is available through PenguinUK and is in Waterstones bookstores everywhere.

This idea for this book was born from a place of confidence. I knew, with certainty, that I wanted to make a journal that embraced our differences—a journal that encouraged others to take the road less traveled, the way I have in my own life. Though an unconventional path is lonely and difficult at times, it is also beautiful and incredibly fulfilling; I wanted readers to know this. I wanted them to take the risk, to give themselves the gift of surprise—of looking back at their own lives a year from now, and saying: Whoa. I can’t believe I did that.

Though the idea for this book was born from a place of confidence, it was written from a place of insecurity. When I began writing Go Your Own Way, I was still a new first-time mother, having freshly given birth and plunged into motherhood during the pandemic. N was 8 months old when we moved from Nashville to St. Louis so I could begin graduate school at Washington University. I was in a new city, in a new state, trying on these new identities of mother and student while searching, feverishly, for all of the people I used to be. 

I didn’t realize the impact that this combination of change would have on my self-esteem, but it became obvious pretty quickly: I was lost, unsure of where I wanted to go or how to get there. I knew I didn’t feel good about myself, that I didn’t feel like myself—but I didn’t know how to change it.

It turned out that having zero self-esteem was the perfect place for me to be. 

In writing this journal, I learned that although self-confidence can be shaken by large change—say, having a child and shaping it into a critically-thinking-and-feeling person—it is something that can be built back, again and again. Learning to stumble along your own path, however rocky or dark it may be, is the only way to build self-confidence. It is the only way to forge meaningful connections with yourself and others—and to create a life that ultimately reflects your own strengths, values, and priorities. 

I spent the last two years in graduate school while settling into our new home in our new city. Along the way, my 8-month old turned into a toddler, and then a child. I learned how to parent. I began feeling less like an imposter, more like a mother. I wrote How it Feels to Find Yourself (which published in May!) and then Go Your Own Way. I carried and birthed my second child during my final year of school, and graduated with my MFA a few weeks later. 

It's been...a whirlwind. A beautiful, difficult, challenging whirlwind. All of this is to say: I've really gone my own way. The confidence I have comes from knowing I can, because I did. 

Like all muscles, confidence strengthens with use; it grows as you do. It is not boastful or arrogant. It is quietly self-assuring, the little fire inside you that knows who you are is exactly who you should be—and that it is always best to go your own way. 

Purchase GO YOUR OWN WAY

GO YOUR OWN WAY is a fully-illustrated journal for building self-confidence, designed to help you cultivate the inner trust necessary for making healthy decisions and facing disappointment with resilience. Through the pages of this book, you’ll gain the strength necessary to recognize and speak your truths, create healthy boundaries, and take steps towards the future you envision for yourself. Transitioning from safe prompts to more challenging exercises, this journal recognizes that genuine self-esteem blooms slowly and deliberately, over time.

Each page of this journal is filled with comforting, empathetic quotes by world leaders, artists, and activists who have faced their own challenges with self-confidence and acceptance; thoughtful exercises that encourage you to find the value and beauty in yourself, and challenging prompts that help build a quiet, steady self-confidence that cannot be eroded by any external element. 

Purchase GO YOUR OWN WAY

Here’s how you can support Go Your Own Way: 

• Order a copy (or like, five) of Go Your Own Way: A Journal for Building Self-Confidence

• Forward this newsletter to someone who will appreciate this book!

• Ask your local library to carry the book if you can’t afford to purchase it—knowing that your entire neighborhood will now have access to it!

• Ask your local bookstore to carry the book. I love local bookstores and want to support them as much as possible throughout this launch. 

• Write a review on Amazon so more people can find this book

• If you want to review or write about Go Your Own Way (or know someone who might), feature it in your publication/podcast/etc., or interview me — just reply to this email to reach me. Every little bit helps.

Purchase GO YOUR OWN WAY

THANK YOU for reading and for all of your support and encouragement. It means the world to me. 

See you on Friday with a new edition of Dear Somebody, where I’ll talk a little more about self-confidence, the making of this book—and celebration.

xx,

M

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Dear Somebody: A baby sister's tiny feet.

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

When N comes home from school each day, she runs towards me screaming. Mama!she yells, though we are only a few inches apart. I’m here to see my sister.

She walks over to the couch where I sit cradling F, who is either smiling or sleeping or spitting up, and pulls off the knit blanket that covers her. She pokes around to find F’s hands and then her feet, peering closely. They are so tiny, she says, and lifts each hand before dropping it flippantly, reaching for the feet next. She handles her baby sister carelessly, as though each hand and foot exists independently, as though they aren’t all four attached to their respective limbs, and as if the limbs aren’t attached to a body, also living and breathing, or at least trying to. 

They are so tiny, N says, lifting the left hand, examining more closely now, marveling at each set of fingernails—perfectly shaped, a smudge of moon on each finger. Fingernails that patiently wait, existing only to do their job: to keep each little finger protected, safe. 

They are so tiny, she says, investigating F’s small toes, ensuring that a proper set of five belongs to each foot. She runs her fingers over the heels—first the left one, then the right—heels that are more small buttons than they are heels, heels that could fit in your pocket if you needed, if you wanted them to. She puts a sock back on each doll’s foot and sighs. She has satisfied her daily inspection. It is time to move on.

Mom, she says seriously, in a voice that becomes more and more like a teenager’s each day. But, Mom. Did you remember to make my snack?

TUESDAY

“When our two sons were going to Hebrew school, preparing for their Bar Mitzvahs, one of them asked the Rabbi, “What if I’m not sure that I believe in god?” To which the Rabbi replied, “It’s unimportant that you believe in god. What matters is that you search for god, look for the sacred, and learn to recognize what is holy.” And with those simple words, my kids were not only liberated from their fear of trying to maintain a lifelong devotion to a single, abstract, static “belief,” but they were also given permission to put their faith into their own actions and efforts to be kind. Free to marvel at the strangeness of it all and stand unafraid of their “not-knowing.” To focus on the undeniable beauty as it unfolds in front of them. To watch and wait for wisdom.”

—from Jeff Tweedy’s newsletter, along with his cover of Simon & Garfunkel’s America(no, I do not listen to anything besides Paul Simon)

WEDNESDAY

Thank you for your warm words, comments, re-shares, and pre-orders for my forthcoming journal, Go Your Own Way. 

This is the fourth (!) journal I’ve made and it amazes me to know that soon, it will stop being a book that I made and instead become a place where you see yourself a little more clearly. Maybe it will be a place where you rediscover a part of yourself you hid away a long time ago, and you can’t remember why. Maybe you’ll resurface in these pages. Maybe you’ll swim to shore.

All books, I think, have the possibility of doubling as a mirror: in them—or maybe because of them—you see yourself as you are. I hope this book will fulfill that purpose for some of you, too.

If you’d like, you can pre-order Go Your Own Way: A Journal for Building Self-Confidence. It comes out October 24th!

THURSDAY

I opened my mail this week to find a boxful of my new 2024 planners and calendars! 

These are now available through Buy Olympia, directly through Amber Lotus Publishing, or in bookstores everywhere. 

FRIDAY

The mower stalled, twice; kneeling, I found   
A hedgehog jammed up against the blades,   
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.   
Now I had mauled its unobtrusive world   
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence   
Is always the same; we should be careful

Of each other, we should be kind   
While there is still time.

—The Mower by Philip Larkin

xx,

M

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Dear Somebody: Go Your Own Way

Hi, everyone—

I’m writing to you today, on a Monday morning, with an exciting reveal: the cover for my upcoming journal, GO YOUR OWN WAY: A JOURNAL FOR BUILDING SELF-CONFIDENCE, which will be published on October 24, 2023 by TarcherPerigee (Penguin Random House)!

Go Your Own Way is a journal for building self-confidence. The pages of this book will help you in outlining your personal values, feeling more comfortable in your skin, and gaining confidence in who you are. You will cultivate the strength necessary to recognize and speak your truths, while creating healthy boundaries that protect your sense of self. Most importantly, Go Your Own Way offers guidance in developing inner trust—necessary for taking risks, facing challenges, and progressing in the direction of your dreams. 

PRE-ORDER GO YOUR OWN WAY

A spread from Go Your Own Way

I wrote this book while completing my final year of graduate school. I painted all of the art for it while working on my thesis project, pregnant with my now-five-month old daughter. I created the journal I needed at the time: the one that would help me as a new mother—a new student—a person in a new city—who felt incredibly lost, insecure, and uncertain…see herself once again. 

If you’ve enjoyed my previous journals, this book is for you. If you find yourself thrown by a new chapter in your life, this book is for you. If you know someone who could use a little help finding their way back to themselves, this book is a thoughtful way to let them know you’re on their side. 

PRE-ORDER GO YOUR OWN WAY

Pre-orders are vital to the success of any book. All publishers rely on pre-orders (and sales, in general) to see whether the books we write resonate with people and whether they should continue supporting us in creating them. Strong pre-orders for this book indicate strong interest. Strong interest encourages my publisher to buy my next book. 

More than that, pre-orders signal to my publisher—and the larger world of book publishing—that the work I’m making is important. That talking about emotions, vulnerability, and the complexity of the human condition is important. That a person’s self-confidence will be shaken, time and time again, and that it is natural. That we all need help sometimes. That learning to like and love ourselves is integral in raising children who will like, love, and respect themselves, too. 

That creating books of value, with the intent of widening a reader’s mind and heart, is more important than a book designed to simply look good on the Internet. 

So, how can you support me and this work?

• Pre-order a copy (or five!) of Go Your Own Way: A Journal for Building Self-Confidence

• Forward this newsletter to someone who will appreciate this book!

• Ask your local library to carry the book if you can’t afford to purchase it—knowing that your entire neighborhood will now have access to it!

• Ask your local bookstore to carry the book. I love local bookstores and want to support them as much as possible throughout this launch. 

• If you want to review or write about Go Your Own Way (or know someone who might), feature it in your publication/podcast/etc., or interview me — just reply to this email to reach me. Every little bit helps.

THANK YOU for reading and for all of your support. I wouldn’t be doing what I do without y’all. I’m incredibly lucky to have this community; that is never lost on me.

See you on Friday with a new edition of Dear Somebody! 

xx,

M

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To sign up for my weekly newsletter, Dear Somebody, please subscribe here.