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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: The space between.

January 16, 2026

Tiny Book of Trees (watercolor and ink, 2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

When L married us in April of 2019, I’d known him for nearly 10 years. We’d met on Tumblr, back when Tumblr was a place where your art was seen and your thoughts were read and responded to. I was pleased to meet a friend who lived overseas but with whom I connected to well, and overlapped with on the points that mattered to me: creativity, personal values, a desire (and fear of) new adventures.

Our friendship bloomed easily. Years later, it was with L that I adventured through Iceland, making new friends and peeling back the years of fear and anxiety that kept me huddled inside my home. Years later, it is L that I have to thank for getting me through much of my twenties: years that were full of self-doubt and loneliness, years that I didn’t feel would ever amount to very much. 

It is L that I thank for introducing me to my long-time editor, with whom I have published an oeuvre of work that aids readers in more deeply connecting with themselves and the world. It is L that I have to thank for introducing me to my agent, who helped me build a career that can withstand the ripples of time. 

It is L that I thank for marrying me and T on the steps of our farm in Nashville, having flown from Germany to bring us together; having written the ceremony in pencil, in his signature tiny, handwriting on a piece of white paper that I wish I had. 

In August, we go to London. L, who I haven’t seen in 6 years, since my wedding, is flying from Berlin to meet us. I am excited and nervous. So much has changed since we saw each other last, with marriages and children and shifting values; with the insular nature of our isolated American life. Time has sped up into an unrecognizable blur and blurred so much around me that I no longer assume a friendship will feel the way it always has. Things change, and quickly. Often imperceptibly. 

When the doorbell rings and my children answer it, it is L standing in the doorway, carrying a friendship that hasn’t changed. T hugs him tightly and my children scamper towards him, drawn to this stranger they’ve never met. Children are sharp, unencumbered by social etiquette. They sense uneasiness in the places we’ve learned to numb, they know when they’re being spoken about or spoken down to, they surround themselves with good energy and shrug off the rest.

L with Thing 1, Thing 2, and a seesaw (London, 2025)

For a few days, I have my friend back. The five of us watch the changing of the guard, we have lunches, we draw on menus with N while F takes her sleep. We eat dinners and have evening drinks, but mostly, we walk to the playground. We swing on the swings and chase the kids around and do boring everyday things, each of us knowing the monotony of life is always better with a friend.

Today, I find myself thinking of a moment that still hasn’t left me. As we walked through St. James’ Park, N stopped to watch every bird. What’s that one? she asked L and he answered. How about this one? And this one? He named each one and together, they walked on. I didn’t know you knew so much about birds, I told him, surprised. Yeah, I know a fair bit, he said. 

St. James Park #1 (photographed by N in London, 2025)

St. James Park #2 (photographed by N in London, 2025)

St. James Park #3 (photographed by N in London, 2025)

In this moment, I become acutely aware of how much I don’t know about my friend. This small, benign fact unsettles me: I think about how much more I never will know, because L and I don’t inhabit the same places; most likely, we never will. We see each other for a few days every handful of years. We speak regularly, but words alone are not a replacement for shared time. I think about how many facets of my friends are hidden, never to be realized because we simply don’t share enough of life together. 

Nearly fifteen years ago, during my Tumblr days, one of the first pieces of art I offered for sale was a drawing of an astronaut on the moon. I NEED MORE SPACE, the astronaut said, and for a long time, I believed the astronaut was me. 

Now, space is a divider. It divides us in terms of distance but also depth. It sets a limit for how deeply I can know another person, of how many layers I’m able to cut through and under. Here—in January, in an entirely new year, I remain full of sadness, staring out into the space that lives between me and the people I love. 

J, L, Me, T, and F (London, 2025)

TUESDAY

The beginnings of final artwork for DEAR LIBRARY (ink on Arches, 2025)

Here’s a look at where I am in my DEAR LIBRARY process: laying down the very delicate linework for my pages in ink. It’s a tedious, time-consuming process, and I’ve questioned whether I should’ve gone the route I have with this artwork a few times—but the facts are that I did, and I am. I only have a couple of weeks to turn these pencils into final ink-and-watercolor paintings, but instead of filling myself up with stress, I’m simply believing I can, and will. It’s a refreshing change of mind for me after nearly three decades (maybe more?) of I can’t I can’t I can’t. Maybe I can’t—but maybe, I can. 

“I’m just, you know, kind of happy in the doing of things. Even just having a great cup of coffee is happiness. Getting an idea, or realizing an idea. Working on a painting…working on a piece of sculpture, working on a film. One thing I noticed is that many of us, we do what we call work for a goal. For a result. And in the doing, it’s not that much happiness. And yet that’s our life going by. If you’re transcending every day, building up that happiness, it eventually comes to: it doesn’t matter what your work is. You just get happy in the work. You get happy in the little things and the big things. And if the result isn’t what you dreamed of, it doesn’t kill you, if you enjoyed the doing of it. It’s important that we enjoy the doing of our life.” —David Lynch

Along with believing I can, I’ve been ruminating on my immersion of the process and less on the outcome I produce. All I can do is the best I can do right now with the skills and time I have now. I’ve always believed it’s hard to be in the present and to focus on the process, but the way David Lynch has lived his life makes me feel like maybe it isn’t. Maybe it is a switch I can just turn off. More and more, it feels like I already have. 

WEDNESDAY

Tiny Book of Trees (watercolor and ink, 2025)

Over the holidays, I made T a tiny book of trees. This marks my second tiny book in two months (here’s the first!) and I have ideas for so many more—including a new year’s tiny book where I envision the next ten years of my life. Stay tuned.

Instead of thinking big, this year I’m determined to think tiny: tiny steps forward, tiny ideas, tiny stories, tiny books. Tiny cells turning over, slowly leading to a new brain and body. Tiny bids for connection, actively building stronger relationships. The tiniest of pieces, eventually coming together to form a whole. Stay tuned.

THURSDAY

“When we love the Earth, we are able to love ourselves more fully. I believe this. The ancestors taught me it was so. As a child I loved playing in dirt, in that rich Kentucky soil, that was a source of life. Before I understood anything about the pain and exploitation of the Southern system of sharecropping, I understood that grown-up Black folks loved the land. I could stand with my grandfather Daddy Jerry and look out at fields of growing vegetables, tomatoes, corn, collards, and know that this was his handiwork. I could see the look of pride on his face as I expressed wonder and awe at the magic of growing things. I knew that my grandmother Baba’s backyard garden would yield beans, sweet potatoes, cabbage, and yellow squash, that she too would walk with pride among the rows and rows of growing vegetables showing us what the earth will give when tended lovingly.” 

—from Touching the Earth by bell hooks in Orion Magazine

FRIDAY

I am so busy. I am practicing
my new hobby of watching me
become someone else. There is
so much violence in reconstruction.
Each minute is grisly, but I have
to participate. I am building
what I cannot break.

—from The Sun is Still A Part of Me by Jennifer Willoughby

  • Dear Somebody: The Anchors We Carry (January 17, 2025)

Of all the things you can put in front of your eyes, I’m grateful that my little letter is one of them. 

If you’d like to support me, please buy my books. My art prints and line of greeting cards make excellent gifts for yourself or a friend. You can also hire me for your next project—I’d love to work together. 

xx,
M


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In Life, Process Tags Friends, Friendship, Family, DEAR LIBRARY, Process, Bell Hooks, Jennifer Willoughby
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

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