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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: The moonlight is here

April 28, 2023

A sketch of me and baby Frida in the hospital. 

On April 21, we welcomed Frida Iyla into the world. Frida means peace in Old High German and Iyla is based on the Turkish Ayla, for moonlight.

Writing this newsletter weekly is important to me, but if needed, I’ll take some time away from the world to care for myself and my family. I have no schedule or particular ambitions; I’m planning on taking it exactly one day at a time. 

A year from now, here are five things from this week that I'd like to remember:

MONDAY

It’s no surprise that I admire Frida Kahlo as a woman and artist; as a human, she has the enviable ability to embrace her strangeness, her differences, and to find strength in them. As I learn more about her life, I am stunned by her endurance, determination, and ability to find romance—that is, beauty and value—in even the most treacherous moments of her life. 

My favorite words by her are below:

“I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.”

—Frida Kahlo

TUESDAY

My experience with birth the second time has been vastly different from the first, and a positive reminder that the past does not have to be indicative of the future. 

What do I want to remember most? 

• The way I was cared for by my surgeon, my doctors, my nurses, my husband, my daughter, and my family. The friends and classmates who’ve called and comforted. The editors who have stretched deadlines, the cohort who has taken on my Thesis installation, the publishing team who has taken on more work in my absence.

• The humanity of those that gave a little of themselves to me and my family, though we were perfect strangers—during many moments of great vulnerability over the past week.

• A never-before-felt grace towards my body, which always tries to care for me, and endures far more than I ever give it credit for. A promise to give you rest. 

• The joy of experiencing motherhood with a lot more patience, a lot less anxiety, and priorities—and a perspective—that suits my values, my needs, and the life I want for myself. 

• The sweetness of you, my little Frida, who has brought out such unexpected, dormant sweetness in me. At six days old, you have already changed me.

WEDNESDAY

“When things go well, it is easy to celebrate our bodies. But when things go poorly, or not how we imagined, it becomes much harder. I could look back and think about the ways my body disappointed me—and I did, a few times. But whenever I went down that road, I found that it was a dead-end street that made me feel terrible. Hating my body remains a waste of time. At some point, just for the purpose of survival, I chose, deliberately, to focus on all the things my body did right, what it did so well on my behalf. Everything it tried to do.”

—Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy by Angela Garbes

THURSDAY

Frida’s childhood home in Mexico City, Casa Azul, was turned into the Frida Kahlo Museum in 1958. I’d love to visit one day — many of her paintings are still on display, including Viva la Vida, her final work. In true Frida fashion, she remains in the house as well: an urn containing her ashes lives in her bedroom.

Below are a few of my favorite paintings by Frida:

The Two Fridas

The Wounded Deer

Self-Portrait with Thorn Necklace and Hummingbird

Thinking About Death

FRIDAY

I’m your guide here. In the evening-dark
morning streets, I point and name.
Look, the sycamores, their mottled,
paint-by-number bark. Look, the leaves
rusting and crisping at the edges.
I walk through Schiller Park with you
on my chest. Stars smolder well
into daylight. Look, the pond, the ducks,
the dogs paddling after their prized sticks.
Fall is when the only things you know
because I’ve named them
begin to end. Soon I’ll have another
season to offer you: frost soft
on the window and a porthole
sighed there, ice sleeving the bare
gray branches. The first time you see
something die, you won’t know it might
come back. I’m desperate for you
to love the world because I brought you here.

—First Fall by Maggie Smith

xx,

M


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In Motherhood Tags Frida, Motherhood, Parenthood, Frida Kahlo, Strange, Birth, Health, Family, Friends, Body, Self, Angela Garbes, Like a Mother, Mexico City, Frida Kahlo Museum, Viva la Vida, The Two Fridas, The Wounded Deer, Self-Portrait with Thorn Necklace and Hummingbird, Thinking About Death, Maggie Smith, Poetry, First Fall
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Dear Somebody: After some time away.

July 15, 2022

A page from my recent sketchbook in Rabastens, France

I spent the larger part of June finalizing my visual journaling retreat with my friend and skilled illustrator Rebecca Green. Over the course of 10 days, we taught 17 students how to capture everything they saw and felt within the pages of their sketchbooks. We focused on both the emotional and technical aspects of translating moments into drawings, and by the end of the trip, we all went home having learned more about art, community, and ourselves than we'd bargained for.

I plan on writing more about our France trip later this month, but for now, today's letter is a jumble of the many things circling my mind over this past week.

MONDAY

I've been away for 11 days. This is the first time I've been away from N in her entire life, and I'm nervous to go home. Will she still want me to be there? I climb out of the Lyft and up the four steps to my front door––a heavy wooden number punctuated by a dozen panels of glass. T swings the door open and N peeks out from behind him. He's grinning, excited to see me, but N is quiet, even solemn.

“Look who it is!" T says, encouraging her to react. "Mama is home!”

N touches my knees quietly before toddling away, and in that moment, I feel relief. At least she's not upset, I think to myself, not knowing what the following 3 weeks will bring.

I didn't know then that N could hold so many tears. I didn't know that my little laddu wouldn't want me to brush her teeth or give her a bath. I didn't know that she'd scream hysterically for her dad, kicking herself out of my arms to create more distance between the two of us. I didn't know then that my 11 days away would plant 23 days of screams, tears, and confusion in the body of a small child who no longer wants her mother.

I didn't know. I didn't know.

TUESDAY

The best part about traveling is that time stops being itself, instead choosing to stretch on and on and on. For the first time in years, I sit and work in my sketchbook for as long as I want––without interruption. Such joy! Such absolute luxury. I know it won't last long, so I try my hardest to be in the moment. And I do. And I am.

Some sketchbook pages from France are here, here, and here; Becca's sketchbook pages from our trip are here. My favorite sketchbooks these days are from Koba, Emma Carlisle, Cromeola and Sean Qualls.

WEDNESDAY

I think about my friendships frequently: how to nurture and support them, how to be a better friend, and also, how to cut a not-quite-right friendship loose. T and I talk about community regularly. We witness our own friendships stiffen or expand through the various seasons of our lives. More than once, I ask him if I desire too much from my friendships. Echoing my friend Cyndie, he reminds me that not everyone is for me––and that it's also OK to aim higher–-to want more.

“I want more friends, more casual impromptu hangs, more dropping by with dinner, more walking and talking and advice sessions, more kids underfoot, more asking for and saying what we need, more hands to carry heavy boxes, more laughing and cackling and snorting, more children farting at the dinner table, more of what makes life messy, less painful, more sweet. I want to give and receive, to always be swapping Tupperware and food, all of us crowded together like curvy lumpen mangoes in a baking dish.”––from Angela Garbes' latest book Essential Labor: Mothering as Social Change

Friendship means different things for different people. Not everyone is in it for the same reasons, and quite frankly, not everyone is interested in the amount of effort a beautifully messy, loving friendship requires. But Angela Garbes, I think, is.

THURSDAY

I am reading: The Land of In-Between, Planning for Disaster, How to Cope with Radical Uncertainty, The Sour Cherry Tree

I am listening: Baquenne, Carla Bruni, Yves Montand

I am watching: Ernest & Celestine, based on the original children's books series by Gabrielle Vincent. Becca & I watched it on the plane ride home from France and were immediately taken by the soft watercolor and ink washes and the endearing tale of two friends who choose each other, again and again.

FRIDAY

To love life, to love it even

when you have no stomach for it

and everything you’ve held dear

crumbles like burnt paper in your hands,

your throat filled with the silt of it.

When grief sits with you, its tropical heat

thickening the air, heavy as water

more fit for gills than lungs;

when grief weights you down like your own flesh

only more of it, an obesity of grief,

you think,

How can a body withstand this?

Then you hold life like a face

between your palms, a plain face,

no charming smile, no violet eyes,

and you say, yes, I will take you

I will love you, again.

–The Thing Is by Ellen Bass

Thanks for reading and for being here with me. See you next week!

xo,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Sketchbook Tags Rebecca Green, Artistic Retreat, Teaching, Motherhood, Traveling, France, Sketchbook, Emma Carlisle, Koba, Cromeola, Sean Qualls, Friendship, Community, Angela Garbes, Yves Montand, Carla Bruni, Baquenne, Ernest & Celestine, The Land of In-Between, Planning for Disaster, How to Cope with Radical Uncertainty, The Sour Cherry Tree, Ellen Bass, Poetry
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

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