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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
  • Learn to Let Go
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Dear Somebody: Should I be doing more?

January 24, 2025

My desk this week: color studies, sketches, rewrites (2025)

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

Lately, the position I find myself in most in nose to the ground, cleaning up after F’s meals. I sweep up crumbs and half-chewed banana, along with entire chunks of sandwich that have fallen out of her grinning mouth. Mine is a kid whose laughter will not wait for a bite to be chewed or properly swallowed; whose joy will not be tamed by rules or fatigue or her sister’s annoyance—whose joy is, in fact, a medicine for even-reasonable rules or well-earned fatigue or understandable annoyance; whose heart will not falter or close, even as mine does, at the state of this world. 

Lately, the position I find myself in most is sleepwalking to F’s room around midnight, then two am, then three, and four. For months now she’s been wide awake when she should be sleeping, and over these past few weeks, she’s begun screaming, too. I wonder if the world’s collective anxiety seeps into her skin during the dark hours of the night, if she is so annoyed at our inability to separate wrong from right that she’s resorted to screaming. 

When I lift her out of bed, she clings to me with relief. At nearly two years old, F is still a tiny thing, a baby monkey smuggling herself away in my arms. Outside of this room, beyond the walls of my home, families are bundled up and sent back to countries they don’t recognize. Others move of their own accord, to states and cities who will attempt to protect them when the rest of their country will not. Some go to school and don’t return home because their friends and neighbors believe real freedom is the power to destroy another person’s world. 

Safety is a matter of luck, and I was born on the side of it that faces up—the side sunlight reaches after it travels through a thousand years of cold and darkness. 

Lately, the position I find myself in most is stiff-necked, eyes closed, breathing in my kid’s presence and thinking of all the others. I breathe in her brown skin’s scent and consider what I can do—how I can transform the small marble of hardness in my own heart into something new, something that will help someone else. I breathe in my kid’s spirit and I know I can try harder. I breathe in my kid’s pulse and my heart, a temperamental old thing, slowly begins to open once more.

TUESDAY

The problems of our time are overwhelming—so much so that a paralysis can set in. Unfortunately, paralysis is just that: paralysis. It doesn’t encourage you to create change in yourself or the world, and it doesn’t allow you to help anyone else. 

  • Helplessness stems from inaction. Commit to fostering hope within yourself by believing that your actions matter—that there is meaning in every small deed, even if it seems underwhelming. Does it feel like enough? Never. Is it better than doing nothing at all? Yes.

  • Operating in a state of total despair (or worse, being unable to function)doesn’t mean you see reality more clearly than those who are content.Cultivating joy within yourself despite the realities that surround you is a strength.

  • Ask yourself which causes align with your values. Choose a single issue that is close to your heart. Learn more about it, and slowly integrate small changes in your lifestyle that support these causes.

  • Learn to live with a certain amount of fear and anxiety. Remember that the presence of both indicates that you care—that you’re a thoughtful, feeling person who wants to make a difference.

—Excerpted from How it Feels to Find Yourself: Navigating Life’s Changes with Clarity, Purpose, and Heart, my book of illustrated essays.

WEDNESDAY

“People are redefining ambition. Most of us who hit 40 have had enough experiences—winning and losing—to know that it is all actually “winning” and “losing.” The best job in the world can also cause you profound stress. Getting the promotion, raise, book deal that you always wanted, might feel like a hard-won achievement in certain ways, and in others, it is likely to be anti-climatic and send you spinning off into a moment of existential confusion. If you’ve experienced the texture of work long enough, you start to sober up about what really matters to you, what you are really made for, and what you want to spend your precious energy and time on. You understand that the deepest sense of self-realization doesn’t come through paychecks or titles, but through genuine, intrinsic pride that you have done something you are delighted by with people who delight you. Midlife is a moment to seek a more finely calibrated understanding of all of this and start advocating for yourself within work settings (whether that means joining a labor union or saying no more to freelance work or not tolerating assholes). Of course the most insecure your financial situation, and the less lucrative your life’s work, the more constraints you face on living into these truths. Which is why economic disparity is about so much more than “food on the table,” but people’s ability to give the world their best gifts and live their fullest, most realized lives.” —From Courtney Martin’s Grow Bigger, Not Bitter

THURSDAY

Winsor McCay, Little Nemo in Slumberland, 26 July 1908

The animated legacy of Little Nemo’s walking bed: I read Little Nemo as a child; as an adult, I have a deep appreciation for Winsor McCay’s imagination and drawing ability. I find more and more that McCay’s tight lines and evocative color palette are influencing how I think about drawing and the drawings I want to make—that maybe “fun” in drawing doesn’t necessarily mean spontaneity in line or execution, but fluidity in thought and effective communication. 

FRIDAY

I can hardly imagine it
as I walk to the lighthouse, feeling the ancient
prayer of my arms swinging
in counterpoint to my feet.
Here I am, suspended
between the sidewalk and twilight,
the sky dimming so fast it seems alive.
What if you felt the invisible
tug between you and everything?
A boy on a bicycle rides by,
his white shirt open, flaring
behind him like wings.
It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
The cliffs? The gulls?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple as well.

—The World Has Need of You by Ellen Bass

See you next week!

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Sketchbook, Process, Motherhood Tags Parenting, Parenthood, Safety, Helplessness, inaction, despair, values, How it Feels to Find Yourself, Books, Courtney Martin, Winsor McCay, Little Nemo, Ellen Bass
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Dear Somebody: A lesson in unconditional love.

February 23, 2024

A Lesson in Unconditional Love from How it Feels to Find Yourself

A year from now, here are five things from this week that I'd like to remember:

MONDAY 

I wake up tired. 

It’s 4:35 am and the baby is crying. I sit up, swing my legs over to the edge of the bed, and stumble towards the door. Jack has been up for some time now, waiting for us to wake. He dances around my feet, tip-tapping excitedly, wanting me to sit down and play with him. “I need a minute, Jackie,” I mumble, stepping over him and into the bathroom. He watches as I brush my teeth and splash cold water on my face. I feel irritated for no reason. After a few minutes, I close the door.

By 6:00 am, the baby has been changed and fed and cried a few more times. We’re sitting on the floor playing peek-a-boo, waiting for the sun to show her face. Jack sits by the bedroom door, waiting. Every so often, he looks over to see how we’re doing.

Around 6:45, I get dressed. Jack bounces around my heels as I pull on pants and a hoodie. “Jack. Jackie. I need some space,” I say, more gently than I have before. When we reach the back door, he’s there, waiting. I let him out and he races around the yard, joyfully feeling the cool air on his face. The trees are dropping their leaves now, and the crinkle of each one fills my ears. The scent of morning dew after a long fall from the sky passes over us in waves. I breathe in deeply and will myself into feeling new. I want to be better—patient, kind, more appreciative of all the good I have. 

Jack walks over and sits down next to me, so closely that his body is on my feet. His head rests under my hands. He waits. 

—from How it Feels to Find Yourself: Navigating Life’s Changes with Clarity, Purpose, and Heart, my latest book of illustrated essays

TUESDAY

I loved this comic by Gavin Aung Than that illustrates an excerpt from Stephen King’s On Writing—namely, the difficult work/life balance of most artists, and the larger, more balanced perspective that’s only available to us in retrospect. 

Of course, that led me to Bill Watterson’s advice on inventing your own life’s meaningand Stanley Kubrick’s on life’s purposelessness—both encourage me to continue taking the road less traveled.

WEDNESDAY

I’ve always been reluctant to celebrate holidays, especially ones that make it easy to gloss over honest sentiment for sparkles and gifts. This changed when I became a mother. I want my children to experience the joy of thoughtfulness—to understand what a gift it is to know someone well, and to make them feel known. I also realize how much challenge life will give us—and what a strength it is to find reason, still, to celebrate. 

N made these seed packets for Valentine’s Day. She painted and glued each one. She filled them with Zinnia seeds. For over a week, she sat at the dining table and asked to decorate seed packets until she had one for each person in her world. In the end she made nearly 25. She’s three. 

She turned an ordinary Wednesday into something less ordinary—something special, perhaps—for so many. It had nothing to do with Valentine’s Day and everything to do with her heart—which, as I’ve suspected for awhile now, is far too big for her tiny body.

THURSDAY

I’m enjoying these paintings by Ulla Thynell, this book by Rashmi Sirdeshpande and Ruchi Mhasane, and these rules for a creative practice by Carolyn Yoo.

FRIDAY

Cook a large fish — choose one with many bones, a skeleton
you will need skill to expose, maybe the flying
silver carp that’s invaded the Great Lakes, tumbling
the others into oblivion. If you don’t live
near a lake, you’ll have to travel.
Walking is best and shows you mean it,
but you could take a train and let yourself
be soothed by the rocking
on the rails. It’s permitted
to receive solace for whatever you did
or didn’t do, pitiful, beautiful
human. When my mother was in the hospital,
my daughter and I had to clear out the home
she wouldn’t return to. Then she recovered
and asked, incredulous,
How could you have thrown out all my shoes?
So you’ll need a boat. You could rent or buy,
but, for the sake of repairing the world,
build your own. Thin strips
of Western red cedar are perfect,
but don’t cut a tree. There’ll be
a demolished barn or downed trunk
if you venture further.
And someone will have a mill.
And someone will loan you tools.
The perfume of sawdust and the curls
that fall from your plane
will sweeten the hours. Each night
we dream thirty-six billion dreams. In one night
we could dream back everything lost.
So grill the pale flesh.
Unharness yourself from your weary stories.
Then carry the oily, succulent fish to the one you hurt.
There is much to fear as a creature
caught in time, but this
is safe. You need no defense. This
is just another way to know
you are alive.

—How to Apologize by Ellen Bass

xx,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Life Tags How it Feels to Find Yourself, Writing, Essays, Motherhood, Parenting, Parenthood, Gavin Aung Than, Comic, Stephen King, On Writing, work/life balance, Bill Watterson, Life Meaning, Stanley Kubrick, Purpose, Holidays, Celebration, Ulla Thynell, Painting, Rashmi Sirdeshpande, Creative Practice, Ruchi Mhasane, Carolyn Yoo, How to Apologize, Ellen Bass, Poetry
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Dear Somebody: After some time away.

July 15, 2022

A page from my recent sketchbook in Rabastens, France

I spent the larger part of June finalizing my visual journaling retreat with my friend and skilled illustrator Rebecca Green. Over the course of 10 days, we taught 17 students how to capture everything they saw and felt within the pages of their sketchbooks. We focused on both the emotional and technical aspects of translating moments into drawings, and by the end of the trip, we all went home having learned more about art, community, and ourselves than we'd bargained for.

I plan on writing more about our France trip later this month, but for now, today's letter is a jumble of the many things circling my mind over this past week.

MONDAY

I've been away for 11 days. This is the first time I've been away from N in her entire life, and I'm nervous to go home. Will she still want me to be there? I climb out of the Lyft and up the four steps to my front door––a heavy wooden number punctuated by a dozen panels of glass. T swings the door open and N peeks out from behind him. He's grinning, excited to see me, but N is quiet, even solemn.

“Look who it is!" T says, encouraging her to react. "Mama is home!”

N touches my knees quietly before toddling away, and in that moment, I feel relief. At least she's not upset, I think to myself, not knowing what the following 3 weeks will bring.

I didn't know then that N could hold so many tears. I didn't know that my little laddu wouldn't want me to brush her teeth or give her a bath. I didn't know that she'd scream hysterically for her dad, kicking herself out of my arms to create more distance between the two of us. I didn't know then that my 11 days away would plant 23 days of screams, tears, and confusion in the body of a small child who no longer wants her mother.

I didn't know. I didn't know.

TUESDAY

The best part about traveling is that time stops being itself, instead choosing to stretch on and on and on. For the first time in years, I sit and work in my sketchbook for as long as I want––without interruption. Such joy! Such absolute luxury. I know it won't last long, so I try my hardest to be in the moment. And I do. And I am.

Some sketchbook pages from France are here, here, and here; Becca's sketchbook pages from our trip are here. My favorite sketchbooks these days are from Koba, Emma Carlisle, Cromeola and Sean Qualls.

WEDNESDAY

I think about my friendships frequently: how to nurture and support them, how to be a better friend, and also, how to cut a not-quite-right friendship loose. T and I talk about community regularly. We witness our own friendships stiffen or expand through the various seasons of our lives. More than once, I ask him if I desire too much from my friendships. Echoing my friend Cyndie, he reminds me that not everyone is for me––and that it's also OK to aim higher–-to want more.

“I want more friends, more casual impromptu hangs, more dropping by with dinner, more walking and talking and advice sessions, more kids underfoot, more asking for and saying what we need, more hands to carry heavy boxes, more laughing and cackling and snorting, more children farting at the dinner table, more of what makes life messy, less painful, more sweet. I want to give and receive, to always be swapping Tupperware and food, all of us crowded together like curvy lumpen mangoes in a baking dish.”––from Angela Garbes' latest book Essential Labor: Mothering as Social Change

Friendship means different things for different people. Not everyone is in it for the same reasons, and quite frankly, not everyone is interested in the amount of effort a beautifully messy, loving friendship requires. But Angela Garbes, I think, is.

THURSDAY

I am reading: The Land of In-Between, Planning for Disaster, How to Cope with Radical Uncertainty, The Sour Cherry Tree

I am listening: Baquenne, Carla Bruni, Yves Montand

I am watching: Ernest & Celestine, based on the original children's books series by Gabrielle Vincent. Becca & I watched it on the plane ride home from France and were immediately taken by the soft watercolor and ink washes and the endearing tale of two friends who choose each other, again and again.

FRIDAY

To love life, to love it even

when you have no stomach for it

and everything you’ve held dear

crumbles like burnt paper in your hands,

your throat filled with the silt of it.

When grief sits with you, its tropical heat

thickening the air, heavy as water

more fit for gills than lungs;

when grief weights you down like your own flesh

only more of it, an obesity of grief,

you think,

How can a body withstand this?

Then you hold life like a face

between your palms, a plain face,

no charming smile, no violet eyes,

and you say, yes, I will take you

I will love you, again.

–The Thing Is by Ellen Bass

Thanks for reading and for being here with me. See you next week!

xo,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Sketchbook Tags Rebecca Green, Artistic Retreat, Teaching, Motherhood, Traveling, France, Sketchbook, Emma Carlisle, Koba, Cromeola, Sean Qualls, Friendship, Community, Angela Garbes, Yves Montand, Carla Bruni, Baquenne, Ernest & Celestine, The Land of In-Between, Planning for Disaster, How to Cope with Radical Uncertainty, The Sour Cherry Tree, Ellen Bass, Poetry
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

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