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Meera Lee Patel

ARTIST, WRITER, BOOK MAKER
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Dear Somebody: Holding onto the proof.

April 1, 2022

A year from now, here are five things from this week that I'd like to remember:

MONDAY

The past few weeks have been a series of can-we-make-it-to-the-next-day? days. Days full of class-and-homework, my looming book deadline, and the last dregs of winter; weeks that all seem the same.

I sit on the edge of our bed talking to T, whose eyes are worn with sickness. We have food poisoning, and it's the first time we've both been sick, at the same time, since having N. I rake the carpet with my toes, listening to her shout No! over and over again, her tiny voice permeating through the walls and ringing in my ears. She should've been asleep a long time ago. This weekend has been hard. I am tired. But something in me feels new.

Somewhere between the hours of school and hours of work, between the food poisoning and the exhaustion, between the constant cleaning and meal-planning and piles of neglected laundry, I'd found the proof. I didn't even know I was looking for it, but here it was, hanging in the mundanity: proof of a life well-lived.

Even the most disappointing of experiences hold meaning. I try to remember that even though I'm not always successful. But when I stop rushing through them to get to the “good” part of life, the value is too great to miss. The good part is here––in the illness, the deadlines, and the round, giddy baby who watched an entire hour of Daniel Tiger while her mother lay, utterly exhausted, beside her.

The good part is here: I'm holding onto the proof.

TUESDAY

"But how does one keep an imagination fresh in a world that works double-time to suck it away? How does one keep an imagination firing off when we live in a nation that is constantly vacuuming it from them? And I think that the answer is, one must live a curious life. One must have stacks and stacks and stacks of books on the inside of their bodies. And those books don’t have to be the things that you’ve read. I mean, that’s good, too, but those books could be the conversations that you’ve had with your friends that are unlike the conversations you were having last week. It could be about this time taking the long way home and seeing what’s around you that you’ve never seen, because most of us, especially city folk, we stay in our little quadrants.

But what if you were to walk the other way? What if you were to explore the places around you? What if you were to speak to your neighbor and to figure out how to strike a conversation with a person you’ve never met? What if you were to try to walk into a situation, free of preconceived notion, just once? Once a day, just walk in and say, “I don’t know what’s going to happen, and let’s see. Let me give this person the benefit of the doubt — to be a human.” ––Jason Reynolds on Imagination and Fortitude (via On Being)

*For those with pre-teens, I recently listened to When I Was the Greatest and recommend it for many reasons, but especially for what it teaches about non-traditional friendships, families, and building inner confidence.

WEDNESDAY

I'm continuing my experiments in collage (see above for my latest). This process has brought forth several questions within me: Whose voice is lost when an existing work is combined with something new? Does an artist have the right to illustrate someone else's words? What does it mean to be inspired?

For now, I'm enjoying the exercise collage brings. It attracts me to a wider range of ephemera, opens up my compositions, encourages me to combine textures, and forces me to relax. It's also been a really surprising exercise in letting go: I cut and paste without really knowing why or how, propelled further by intuition than my thinking brain, and in the end, I find that I'm somewhere unexpected––and that it is good.

THURSDAY

As far as kisses go, N's way of giving them has been to smush her cheek next to yours. This is all she's ever done in her 17 months of life. Tonight, after dinner and bath time, she climbed into T's lap and gave him her first real kiss: her mouth against his cheek, followed by a great big cozy hug. The first kiss she's ever given anyone! I watched the whole thing from a front-row seat, extremely wide-eyed, only 20% of my body angry with envy.

FRIDAY

And when they bombed other people’s houses, we

protested

but not enough, we opposed them but not

enough. I was

in my bed, around my bed America

was falling: invisible house by invisible house by invisible house.

I took a chair outside and watched the sun.

In the sixth month

of a disastrous reign in the house of money

in the street of money in the city of money in the country of money,

our great country of money, we (forgive us)

lived happily during the war.

–from Ilya Kaminsky's We Lived Happily During the War

xo,

M


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In Motherhood Tags Books, Motherhood, Parenting, Family, Jason Reynolds, Process, Collage, Ilya Kaminsky, Poetry
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Dear Somebody: The perfect day.

March 4, 2022

A year from now, here are five things from this week that I'd like to remember:

MONDAY

I climb into the car after a long day of classes and J, who's visiting for the weekend, tells me she's brought along a bottle of The Perfect Day all the way from New York, having socked it away in the airplane's belly, along with dozens of bagels.

We do the perfect day exercise, the one where you imagine your perfect day 10 years from now. In it, I live in a house with a separate studio and a family that looks just like mine. In it, I write stories and help other people share theirs. In it, a friend comes by to hang on the porch and share in laughter. In it, I feel good, with a body less stressed, with a mind less stretched. In it, there is time for me.

Between J and me are 19 years of memories. My 15-year old self never imagined friendships this old, but here we are: still friends. I know time goes on, but where does it go? Time becomes the ease, I think––the natural laughter, the conversations about bodies, and babies, and home. Time becomes the tears in my throat. A swift catch when I slip on the ice, all the words we don't say, her hand in mine.

We're sitting outside in the fifty-something warm-wash weather, the sunshine glinting in our eyes, legs draped over the porch walls. I can tell it's happening right now––the meaningful part of life, the part you remember years later, the part that wakes the sleeping bird in your heart.

I'm going to remember this, I say aloud. You and me on the porch, this orange wine, this moment in time. The perfect day.

TUESDAY

In an effort to understand what direction I'd like to take my illustration work in, I've been making collages. Here is one, and another, and another.

Collage opens up the way I think about composition and layout, by providing more air between my subjects and their environment. Everything in the picture breathes.

WEDNESDAY

"Does working so much fulfill you?” a skeptical writer friend asked; I’d opened up to him a bit about my other lives, then regretted it. I wasn’t trying to show off. I was just trying to explain why I’d been tired for an entire month. He seemed annoyed by how much I worked and, after expressing concern for my general health, suggested that, because I wasn’t giving the M.F.A. my full attention, I wasn’t taking my writing seriously. I was taking my writing seriously, but I also needed to make rent. He, on the other hand, was fine financially, and would continue to be fine, even if he never made money from his writing. I brushed off his judgment and, for a while longer, we continued to be good friends. The obvious but tedious fact is that some of us are conditioned to work much harder than others because some of us have a lot more to prove. Had I mentioned this to my friend, he would have rolled his eyes.

–from Weike Wang's Notes on Work

THURSDAY

Factories at Clichy: might be my favorite Van Gogh? I stared at it not-long-enough, while N ran amuck, her tiny feet slamming echos through the museum. Next time, we'll look at this painting first.

FRIDAY

It has begun: they climb the trolleys

at the thief market, breaking

all their moments in half. And the army officers

in the clanging trolleys shoot at our neighbors’ faces

and in their ears. And the army officer says: Boys! Girls!

take your partner two steps. Shoot.

It has begun: I saw how the blue canary of my country

picks breadcrumbs from each soldier’s hair

picks breadcrumbs from each soldier’s eyes.

Rain leaves the earth and falls straight up as it should.

To have a country, so important,

to run into walls, into streetlights, into loved ones, as one should.

Watch their legs as they run and fall.

I have seen the blue canary of my country

watch their legs as they run and fall.

–from Ilya Kaminsky's Deaf Republic: 2. 9AM Bombardment

xo,

M


To sign up for my weekly newsletter, Dear Somebody, please subscribe here.

In Process Tags Friendship, Weike Wang, Van Gogh, Ilya Kaminsky, Painting, Collage, Poetry
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Meera Lee Patel is an artist, writer, and book maker. Her books have sold over one million copies, and been translated into over a dozen languages worldwide.

Her newsletter, Dear Somebody, is a short weekly note chronicling five things worth remembering, including a look into her process, reflections on motherhood, and creative inspiration.

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